The German Classics of the Nineteenth and Twentieth Centuries, Volume 06: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 06: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
_Sappho_ was as successful on the stage as _The Ancestress_ had been,
and the dramatist became the lion of the hour. He was received in
audience by Prince Metternich, was lauded in high social circles in
Vienna, and was granted an annual pension of 1000 florins for five
years, on condition that the _Hofburgtheater_ should have the right
to first production of his forthcoming plays. It was, therefore, with
great enthusiasm and confidence that he set to work upon his next
subject, _The Golden Fleece._ The story of Jason and Medea had long been
familiar to him, not only in the tragedies of Euripides and Seneca, but
also in German dramas and operas of the eighteenth century which during
his youth were frequently produced in Vienna. The immediate impulse to
treat this story came to him when, in the summer of 1818, he chanced
upon the article _Medea_ in a mythological lexicon. His plan was soon
formed and was made to embrace the whole history of the relations of
Jason and Medea. For so comprehensive a matter Grillparzer, like
Schiller in _Wallenstein,_ found the limits of a single drama too
narrow; and as Schiller said of _Wallenstein--_
"His camp alone explains his fault and crime,"
so Grillparzer rightly perceived that the explanation to modern minds of
so incredible a crime as Medea's must be sought and presented in the
untoward circumstances under which her relations with Jason began.
Accordingly, he showed in _The Guest Friend_ how Phryxus, obedient to
what he believed to be the will of the gods, bore the Golden Fleece to
Colchis, only to meet death at the hands of Æëtes, the king of that
land, who coveted the precious token. Medea, the king's daughter, vainly
tries to prevent the crime, but sees herself included in the dying man's
curse; for she shares her father's desire for the treasure and is
appalled only by the sense of outraged hospitality, even to a haughty
intruder. When, in _The Argonauts,_ Jason comes to recover the Fleece,
Medea, still an Amazon and an enchantress, is determined with all her
arts to aid her father in repulsing the invaders. But the sight of the
handsome stranger soon touches her with an unwonted feeling. Against her
will she saves the life and furthers the enterprise of Jason; they
become partners in the theft of the Fleece; whereupon Jason, fascinated
by the dark-eyed barbarian and gratified with the sense of subjugating
an Amazon, assures her of his love and takes her and the Fleece in
triumph away from Colchis.
[Illustration: GRILLPARZER'S HOUSE IN THE SPIEGELGASSE]
Public-domain text, read in full here on John Shaqi.
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