The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
EDITED AND ABRIDGED BY EDMUND VON MACH, PH.D.
[UT MIND STROMTID: A story of my youth, depicts the joys and sorrows of
a North German country community during the lean years of the second
quarter of the nineteenth century. Human passions rent the hearts of men
then as now. Nobility of soul distinguished some, and was lacking in
many. Education was not universal, but common sense perhaps rather
frequent. The best road to a happy life, however, was then as always, a
kindly heart, a strict sense of justice, and a dash of unconscious
humor. This lucky combination endeared Uncle Bräsig to everyone, and
enabled him to make his blustering way cheerfully, yet serenely
conscious of all joys and sorrows, amid the vicissitudes of life. He
understood the human heart, whether it beat in the breast of a child or
a tired old man, of a villain or of a loving wife. Nobody, however, was
dearer to him than Mina and Lina Nüssler, his god-children. And naughty
little girls these angelic twins were too, without respect for
grandfather's peruke or grandmother's Sunday cap. They placed them on
their own curly locks, and danced the "Kringelkranz-Rosendanz," and in
so doing broke Mina's favorite toy-jar. In their eagerness to have it
mended they ran from the house.]
* * * * *
Just as the children entered the yard a little man came in at the gate.
And this little man had a red face, and a very imposing red nose which
he always held cocked up in the air. He wore a square cap of no
particular color with a tassel in front, and a long-tailed, loose, gray
linen-coat. He always kept his feet turned out in an exaggerated first
position which made his short legs look as if they were fastened to his
body in the wrong way. He had striped trousers and long boots with
yellow tops. He was not stout, and yet he was by no means thin, in fact
his figure was beginning to lose its youthful proportions.
Public-domain text, read in full here on John Shaqi.
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