The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Bräsig now introduced Hawermann as Mrs. Nüssler's brother. "And so you
are her brother Charles. _Do_ sit down, my pastor will be delighted to
see you. Whenever Mrs. Nüssler comes here she tells us something about
you, and always in your praise--Mr. Bräsig can vouch for that. Good
gracious, Bräsig, what have _you_ got to do with my hymn-book? Just put
it down, will you. _You_ never read such things, you are nothing but an
old heathen. These are hymns for the dying, and what are hymns for the
dying to you? _You_ are going to live for ever. You're not a whit better
than the wandering Jew! One has to think of death sometimes, and as our
seat is broken, and the old carpenter has a fever, I have been reading
some meditations for the dying." While saying this she quickly picked up
her books and put them away, carefully going through the unnecessary
ceremony of dusting a spotless shelf before laying them down on it.
Suddenly she went to the door leading to the kitchen, and stood there
listening; then exclaiming: "I was sure I heard it--the soup's boiling
over," hastened from the room. "Well, Charles--wasn't I right? Isn't she
a cheery, wholesome-natured woman? I'll go and arrange it all for you,"
and he followed Mrs. Behrens to the kitchen.
Hawermann looked round the room, and admired the cleanly, comfortable,
home-like, and peaceful look of everything around him. Over the sofa was
a picture of our Saviour, and encircling it, above and below, were
portraits of Mr. and Mrs. Behrens' relations, some colored, some black,
some large, and some small. In the picture of our Lord, His hands were
raised in blessing, so Mrs. Behrens had hung the portraits of her
relatives beneath it that they might have the best of the blessing, for
she always regarded herself as the "nearest." She had hung her own
portrait, taken when she was a girl, and that of her husband in the
least prominent place over against the window, but God's sun, which
shone through the white window-curtains, and gilded the other pictures,
lighted up these two first of all. There was a small book-case
containing volumes of sacred and profane literature all mixed up
together, but they looked very well indeed, for they were arranged more
in accordance with the similarity of their bindings than with that of
their contents. Let no one imagine that Mrs. Behrens did not care for
reading really good standard works, because she spoke the Provincial
German of her neighborhood. Whoever took the trouble to open one of the
books, which had a mark in it, would see that she was quite able to
appreciate good writing, and her cookery-book showed that she studied
her own subjects as thoroughly as her husband did his, for the book was
quite full of the notes and emendations she had written at the sides of
the pages in the same way as Mr. Behrens made notes in his books. As for
her husband's favorite dishes she "knew them," she said, "by heart, and
had not to put in a mark to show where they were to be found."
Public-domain text, read in full here on John Shaqi.
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