The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
any length of time--at best, these novels supplanted one fashion by
another, if, indeed, they did not drive out Satan by means of Beelzebub.
And was it wise to roam so far afield when the real good was so close at
hand? Why cross oceans when the land of promise lay right before one's
doors? All that was needed was the poet discoverer.
The Columbus of this new world shared the fate of the great Genoese in
more than one respect. Like him, he set out in quest of shores that he
was destined never to reach. Like him, he discovered, or rather
rediscovered, a new land. Like him, he so far outstripped his
forerunners that they sank into oblivion. Like Columbus, who died
without knowing that he had not reached India, the land of his dreams,
but found a new world, he may have departed from this life in the belief
that he had been a measurably successful social reformer when he had
proved to be a great epic poet. Like Columbus, he was succeeded by his
Amerigo Vespucci, after whom his discovery was named. The Columbus of
the village story is the Swiss clergyman Albert Bitzius, better known by
his assumed name as Jeremias Gotthelf; the Amerigo Vespucci is his
contemporary Berthold Auerbach.
The choice of his _nom de guerre_ is significant of Jeremias Gotthelf's
literary activity. He regarded himself as the prophet wailing the misery
of his people, who could be delivered only through the aid of the
Almighty. It never occurred to him to strive for literary fame. He
considered himself as a teacher and preacher purely and simply; in a
measure, as the successor of Pestalozzi, who, in his _Lienhard und
Gertrud_ (1781-1789), had created a sort of pedagogical classic for the
humbler ranks of society; and if there be such a thing in Gotthelf's
make-up as literary influence, it must have emanated from the sage of
Burgdorf and Yverdun. To some extent also Johann Peter Hebel
(1760-1826), justly famed for his Alemannian dialect poems, may have
served him as a model, for Hebel followed an avowedly educational
purpose in the popular tales of his _Schatzkästlein des rheinischen
Hausfreunds_ ("Treasure Box of the Rhenish Crony"), of which it has been
said that they outweigh tons of novels.
Public-domain text, read in full here on John Shaqi.
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