The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"Columbus was a real benefactor. From what did he not deliver us? Yes,
America is the pig-trough of the Old World, and into it everything that
can't be used in the kitchen is dumped--cabbage and turnips and all
sorts of things. And for the piggies who live in the castle behind the
house, and understand French--'Oui! Oui!'--there's very good feeding
there."
In the general dearth of interesting subjects, Damie and his emigrating
naturally formed the main topic of conversation for a considerable time,
and the members of the Council praised their own wisdom in having rid
the place of a person who would certainly have come to be a burden on
the community. For a man who goes driving about from one trade to
another is sure to drive himself into ruin eventually.
Of course, there were plenty of good-natured people who reported to
Barefoot all that was said of her brother, and told her how he was made
a laughing-stock. But Barefoot merely smiled. When Damie's first letter
came from Bremen--nobody had ever thought that he could write so
properly--then she exulted before the eyes of men, and read the letter
aloud several times; but in secret she was sorry to have lost such a
brother, probably forever. She reproached herself for not having put him
forward enough, for it was now evident what a sharp lad Damie was, and
so good too! He wanted to take leave of the whole village as he had
taken leave of the post at the boundary-line, and he now filled almost a
whole page with remembrances to different people, calling each one "the
dear" or "the good" or "the worthy." Barefoot reaped a great deal of
praise everywhere she delivered these greetings, and each time pointed
to the precise place, and said:
"See--there it stands!"
For a time Barefoot was silent and abstracted; she seemed to repent of
having let her brother go, or of having refused to go with him. Formerly
she had always been heard singing in the stable and barn, in the kitchen
and chamber, and when she went out with the scythe over her shoulder and
the grass-cloth under her arm; but now she was silent. She seemed to be
making an effort to restrain herself. Still there was one time when she
allowed people to hear her voice again; in the evening, when she put
Farmer Rodel's children to bed, she sang incessantly, even long after
the children were asleep. Then she would hurry over to Black Marianne's
and supply her with wood and water and whatever else the old woman
wanted.
On Sunday afternoons, when everybody was out for a good time, Barefoot
often used to stand quiet and motionless at the door of her house,
looking out into the world and at the sky in dreamy, far-off meditation,
wondering where Damie was now and how he was getting on. And then she
would stand and gaze for a long time at an overturned plow, or watch a
fowl clawing in the sand. When a vehicle passed through the village, she
would look up and say, almost aloud:
Public-domain text, read in full here on John Shaqi.
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