The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The Fichtean philosophy holds the mirror up to its age. With the
Enlightenment it glorifies reason, the free personality, nationality,
humanity, civilization, and progress; in this regard it expresses the
spirit of all modern philosophy. It goes beyond the _Aufklärung_ in
emphasizing the living, moving, developing nature of reality; for it,
life and consciousness constitute the essence of things, and universal
life reveals itself in a progressive history of mankind. Moreover,
the dynamic spiritual process cannot be comprehended by conceptual
thought, by the categories of a rationalistic science and philosophy,
but only by itself, by the living experience of a free agent. In the
categorical imperative, and not in logical reasonings, the individual
becomes aware of his destiny; in the sense of duty, the love of truth,
loyalty to country, respect for the rights of man, and reverence for
ideals, spirit speaks to spirit and man glimpses the eternal.
Among the elements in this idealism that appealed to the Romanticists
were its anti-intellectualism, its intuition, the high value it placed
upon the personality, its historical viewpoint, and its faith in the
uniqueness of German culture. They welcomed the _Wissenschaftslehre_
as a valuable ally, and exaggerated those features of it which seemed
to chime with their own views. The ego which Fichte conceives as
universal reason becomes for them the subjective empirical self, the
unique personality, in which the unconscious, spontaneous, impulsive,
instinctive phase constitutes the original element, the more
extravagant among them transforming the rational moral ego into a
romantic ego, an ego full of mystery and caprice, and even a lawless
ego. Such an ego is read into nature; for, filled with occult magic
forces, nature can be understood only by the sympathetic divining
insight of the poetic genius. And so, too, authority and tradition, as
representing the instinctive and historical side of social life, come
into their own again.
Fichte's chief interest was centred upon the ego; nature he regarded
as a product of the absolute ego in the individual consciousness,
intended as a necessary obstacle for the free will. Without opposition
the self cannot act; without overcoming resistance it cannot become
free. In order to make free action possible, to enable the ego to
realize its ends, nature must be what it is, an order ruled by the
iron law of causality. This cheerless conception of nature--which,
however, was not Fichte's last word on the subject, since he afterward
came to conceive it as the revelation of universal life, or the
expression of a pantheistic God--did not attract Romanticism. It was
Schelling, the erstwhile follower and admirer of Fichte, who turned
his attention to the philosophy of nature and so more thoroughly
satisfied the romantic yearnings of the age.
Public-domain text, read in full here on John Shaqi.
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