As a matter of fact, the work for which Chamisso is best known, a work which has become international in popularity, _Peter Schlemihl_ (1813), is an early bit of such realistic prose. The tale of the man who sells his shadow to the devil for the sake of the sack of Fortunatus has become in Chamisso's hands a genuine folk-fairy-tale in key-note and style. At the same time it is thoroughly Romantic in subject-matter and treatment. The word Schlemihl is a Hebrew word variously interpreted as "Lover of God," or as "awkward fellow." If it mean the former, Schlemihl then becomes a Theophilus, that medieval Faust who also made a compact with the devil; if the latter, one who breaks his finger when sticking it into a custard pie; then Schlemihl is Chamisso himself, "that dean of Schlemihls," feeling himself at a loss in any environment. He may be the man without a country, he may be the man who draws attention to himself by selling what seems of little value to him, but which afterward proves indispensable for the right conduct of life. The story in this way brings forward a bit of popular ethics, or, rather, it examines an ethical note from the popular point of view. Like Hoffmann, Chamisso takes his reader into the midst of current life, but, unlike Hoffmann, his moods are not the dissolving views which leave the reader in doubt as to whether the whole is a phantasmagoria and a hallucination. _Schlemihl_ is genuinely and consistently realistic. It is a story in the first person and has a rigidly logical arrangement of episodes leading up to its climax. It does not make mood--it has mood. The brothers Jacob and Wilhelm Grimm are the products of Romantic scholarship; they represent the highest type of scholarly attainment and of scholarly personality. They are always thought of together, for they shared all possessions alike and were not drawn apart by the fact that William married and Jacob remained a bachelor. Their fidelity to each other is touching, and no more lovable story is told than that of Jacob's breaking down in a lecture and crying, "My brother is so sick!" Jacob (1785-1863) was the philologist, the inductive gatherer of scientific material, the close logical deducer of facts. He "presented Germany with its mythology, with its history of legal antiquities, with its grammar and its history of language." He is the author of Grimm's law of consonant permutation which laid the foundations of modern philological science and is the founder of philological science in general.