The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
But after all I burst into a hearty laugh, glad in fact to be rid of
the pompous fellow, for it was just the hour when I was wont to carry
my nosegay to the arbor. I clambered over the wall, and was just about
to place the flowers on the marble table, when I heard the sound of a
horse's hoofs at some distance. There was no time for escape; my Lady
fair was riding slowly along the avenue in a green hunting-habit,
apparently lost in thought. All that I had read in an old book of my
father's about the beautiful Magelona came into my head--how she used
to appear among the tall forest-trees, when horns were echoing and
evening shadows were flitting through the glades. I could not
stir from the spot. She started when she perceived me and paused
involuntarily. I was as if intoxicated with intense joy, dread, and
the throbbing of my heart, and when I saw that she actually wore at
her breast the flowers I had left yesterday, I could no longer keep
silent, but said in a rapture, "Fairest Lady fair, accept these
flowers too, and all the flowers in my garden, and everything I have!
Ah, if I could only brave some danger for you!" At first she had
looked at me so gravely, almost angrily, that I shivered, but then
she cast down her eyes, and did not lift them while I was speaking. At
that moment voices and the tramp of horses were heard in the distance.
She snatched the flowers from my hand, and without saying a word,
swiftly vanished at the end of the avenue.
After this evening I had neither rest nor peace. I felt continually,
as I had always felt when spring was at hand, restless and merry, and
as if some great good fortune or something extraordinary were about
to befall me. My wretched accounts in especial never would come right,
and when the sunshine, playing among the chestnut boughs before my
window, cast golden-green gleams upon my figures, illuminating "Bro't
over" and "Total," my addition grew sometimes so confused that I
actually could not count three. The figure "eight" always looked to
me like my stout, tightly-laced lady with the gay head-dress, and
the provoking "seven" like a finger-post pointing the wrong way, or a
gallows. The "nine" was the queerest, suddenly, before I knew what it
was about, standing on its head to look like "six," whilst "two" would
turn into a pert interrogation-point, as if to ask me, "What in the
world is to become of you, you poor zero? Without the others, the
slender 'one' and all the rest, you never can come to anything!"
Public-domain text, read in full here on John Shaqi.
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