The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
I stared at him in turn, but could not remember who he was; indeed, I
should have had enough to do to recognize all the young gentlemen who
came and went at the castle. He kept up an eternal laughter, however,
declaring, "This is magnificent! You're taking a holiday, I see;
we are just in want of a servant; stay with us and you will have a
perpetual holiday." I was dumbfounded, and said at last that I was
just on my way to visit Italy. "Italy?" the stranger rejoined. "That
is just where we wish to go!" "Ah, if that be so!" I exclaimed, and,
taking out my fiddle, I tuned up so that all the birds in the
wood awaked. The young fellow immediately threw his arm around his
companion, and they waltzed about the meadow like mad.
Suddenly they stood still. "By heavens," exclaimed one, "I can see the
church-tower of B.! We shall soon be there." He took out his watch and
made it repeat, then shook his head, and made the watch strike again.
"No," he said, "it will not do; we should arrive too early, and that
might be very bad."
Then they brought out from their saddle-bags cakes, cutlets, and
bottles of wine, spread a gay cloth on the grass, stretched themselves
beside it, and feasted to their hearts' content, sharing all
generously with me, which I greatly enjoyed, seeing that for some days
I had not had over and above enough to eat. "And let me tell you,"
one of them said to me--"but you do not know us yet?" I shook my head.
"Then let me tell you. I am the painter Lionardo, and my friend here
is a painter also, called Guido."
I could see the two painters more clearly in the dawning morning. Herr
Lionardo was tall, brown, and slender, with merry, ardent eyes. The
other was much younger, smaller, and more delicate, dressed in antique
German style, as the Porter called it, with a white collar and bare
throat, about which hung dark brown curls, which he was often obliged
to toss aside from his pretty face. When he had breakfasted, he picked
up my fiddle, which I had laid on the grass beside me, seated himself
upon the fallen trunk of a tree, and strummed the strings. Then he
sang in a voice clear as a wood-robin's, so that it went to my very
heart heart--
"When the earliest morning ray
Through the valley finds its way,
Hill and forest fair awaking,
All who can their flight are taking.
"And the lad who's free from care
Shouts, with cap flung high in air,
'Song its flight can aye be winging;
Let me, then, be ever singing.'"
As he sang, the ruddy rays of morning exquisitely illumined his pale
face and dark, love-lit eyes. But I was so tired that the words and
notes of his song mingled and blended strangely in my ears, until at
last I fell sound asleep.
Public-domain text, read in full here on John Shaqi.
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