The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
When, by and by, I began gradually to awaken, I heard, as in a dream,
the two painters talking together beside me, and the birds singing
overhead, while the morning sun shining through my closed eyelids
produced the sensation of looking toward the light through red
curtains. "_Com' è bello_!" I heard some one exclaim close to me. I
opened my eyes, and saw the younger painter bending over me in the
clear morning light, so near that I seemed to see only his large black
eyes between his drooping curls.
I sprang up hastily, for it was broad day. Herr Lionardo seemed
cross--he had two angry furrows on his brow--and hastily made ready to
move on. But the other painter shook his curls away from his face and
quietly hummed an air to himself as he was bridling his steed, until
at last Lionardo burst into a sudden fit of laughter, picked up a
bottle standing on the grass, and poured the contents into a couple
of glasses. "To our happy arrival!" he exclaimed, as the two clinked
their glasses melodiously. Whereupon Lionardo tossed the empty bottle
high in the air, and it sparkled brilliantly.
At last they mounted their horses, and I marched on beside them. Just
at our feet lay a valley in measureless extent, into which our road
descended. How clear and fresh and bright and jubilant were all the
sights and sounds around! I was so cool, so happy, that I felt as if I
could have flown from the mountain out into the glorious landscape.
CHAPTER IV
Farewell, mill, and castle, and Porter! We went at such a pace that
the wind nearly blew my hat off. Right and left, villages, towns, and
vineyards flew past in a twinkling; behind me the two painters were
seated in the carriage, before me were four horses and a gorgeous
postilion, while I, seated high up on the box, bounced into the air
from time to time.
It had happened thus: Arrived at B., while we were as yet in the
outskirts a tall, thin, crusty gentleman in a green plush coat came to
meet us, and, with many obeisances to the two painters, conducted
us into the village, where, beneath the tall linden beside the
post-station, stood a fine carriage with four post-horses. Herr
Lionardo meanwhile insisted that I had outgrown my clothes, and in a
trice he produced another suit from his portmanteau, and I had to put
on a beautiful new dress-coat and vest; very fine to see, but they
were too long and too wide for me, and absolutely fluttered about me.
And I also had a brand-new hat, which shone in the sunlight as if it
had been smeared with fresh butter. Then the crusty stranger gentleman
took the bridles of the two horses which the painters had been riding,
the painters themselves got into the carriage, I mounted upon the
box, and we started, just as the postmaster poked his head out of the
window, in his nightcap. The postilion blew his horn merrily, and we
were off for Italy.
Public-domain text, read in full here on John Shaqi.
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