The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"Love--on this point philosophers are unanimous--is one of the most
courageous qualities of the human heart; it shatters with a glance of
fire the barriers of rank and station, the world is too confined for
it, eternity too brief. It is, so to speak, a poet's robe, in which
every dreamer enwraps himself once in this cold world, for a journey
to Arcadia. And the farther two parted lovers wander from each other,
the more beautiful and the richer are the folds of the robe, the more
surprising and wonderful is its extent, as it sweeps behind them, so
that one really cannot travel far without treading on a couple of such
trains. O beloved Herr Receiver, and bridegroom! although wrapped in
this robe you reached the shores of the Tiber, the little hands of
your present bride held you fast by the extreme end of the train, and,
however you might fiddle and fume, you had to return within the magic
influence of her beautiful eyes. And since this is so, you two dear,
foolish people, wrap yourselves both up in this blessed robe, forget
all the rest of the world, love like turtle-doves, and be happy!"
Hardly had Herr Lionardo finished his speech when the other young lady
who had sung the song approached me, crowned me with a wreath of fresh
myrtle, and as she was arranging it, with her face close to my own,
archly sang--
"And therefore do I crown thee,
And therefore love thee so,
Because thou oft hast moved me
With the music of thy bow."
As she retreated a step or two, "Do you remember the robbers who shook
you down from the tree at night?" said she, courtesying, and giving
me so arch a glance that my heart danced within me. Thereupon, without
waiting for an answer, she walked around me. "Actually just the
same, without any Italian affectations! But no! look, look at his fat
pockets!" she exclaimed suddenly to the lovely Lady fair. "Violin,
linen, razor, portmanteau, everything stuffed together!" She turned
me all round as she spoke, and could scarcely say anything more for
laughing. Meanwhile, the lovely Lady fair was quite silent, and could
hardly raise her eyes for shame and confusion. It seemed to me that
at heart she was provoked at all this jesting talk. At last her eyes
filled with tears, and she hid her face on the breast of the other
lady, who first looked at her in surprise and then clasped her
affectionately in her arms.
I stood there as in a dream. The longer I looked at the strange lady
the more clearly I recognized her; she was in truth no other than--the
young painter, Herr Guido!
I did not know what to say, and was just about to question her, when
Herr Lionardo approached her and spoke in an undertone. "Does he not
know yet?" I heard him ask. She shook her head. He reflected for a
moment, and then said aloud, "No, no, he must be told all immediately,
or there will be all kinds of fresh gossip and confusion."
Public-domain text, read in full here on John Shaqi.
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