The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig — John Shaqi
The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The painters represented here alongside with the two writers to whom
this volume is devoted, are Cornelius, Schnorr von Carolsfeld, Rethel,
and Kaulbach. These men were not only contemporary with Hebbel and
Ludwig, but may indeed be called their artistic counterparts. Though
widely differentiated by individual temper and talent, these painters
and poets belong to the same phase of mid-century German literature and
art: the striving of Romanticism beyond itself, the struggle for a new
style uniting depth of feeling and terseness of delineation, the longing
for a new view of life harmonizing the worship of the past with the
demands of modern society and the problems of the day. Hence the heroic
note in the work of these painters and poets, hence their predilection
for great historical or mythological or religious subjects, hence their
leaning toward tragic conflicts in every day situations, hence their all
too conscious striving for pointed effects; hence, also, the inspiring
influence emanating from their best productions.
KUNO FRANCKE.
THE LIFE OF FRIEDRICH HEBBEL
By WILLIAM GUILD HOWARD, A.M.,
Assistant Professor of German, Harvard University
The greatest German dramatists of the middle of the nineteenth century
were Franz Grillparzer, Friedrich Hebbel, and Otto Ludwig. In a caustic
epigram written in 1855, Grillparzer set forth that Dame Poetry, for
some years a widow and now ailing, needed a husband, but could find
none; and we remember that the heroine of _Libussa_ rejects the wise
Lapak, the strong Biwoy, and the rich Domaslaw because she desires in
one man, united, the qualities which separately dominate the three. With
more charity, Grillparzer might have more fully recognized the poet in
Hebbel or Ludwig; but we may be permitted to think of these three
dramatists as not unlike the three suitors for the hand of Libussa:
Grillparzer was rich, Ludwig was wise, and Hebbel was strong. Each of
them was somewhat deficient in the qualities of the other two; each,
however, was a personality, and Hebbel one of the most powerful that
ever lived.
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