The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"What!" he exclaimed loudly, and strode up to the girl, "would you cool
your temper on my mother's kitchen crockery, you little sneak, because
your stubborn spirit will not allow you to accept a well-merited reproof
quietly, as becomes you?" And with that, scolding and storming, he gave
her, right and left, box after box on the ear, while she, stunned, gazed
at him, like a child, bereft of speech, indeed almost of her senses,
still holding the handle of the tureen in one hand, and involuntarily
pressing the other against her breast.
She was first aroused from this state, which bordered on a swoon, by the
mocking laughter of the chamber-maid Frederika, who, more easy going
than she, gladly allowed the Baron to trifle wantonly with her and pinch
her cheeks or play with her curls. The insolent wench looked at her
derisively, and called out, "That will give you a good appetite for the
kermess, Miss Prude."
The Baron, however, laughed loudly and placing his arms akimbo, said:
"You might just as well give up all desire for dance and play; I
withdraw the permission accorded by my mother, you shall take care of
the house. Is there nothing then for her to do today?" he continued,
talking to himself. Frederika whispered something to him. "Right," he
shouted, "she shall comb the flax until late at night; do you hear?"
Anna, completely bewildered, nodded her head, and then sank down
powerless on her knees; at the same time, however, she instinctively
snatched up a brass utensil, and, while the hot, uncontrollable tears
overflowed her eyes, she began to scour it bright.
The gardener had witnessed the foregoing scene from a distance. Fresh
and blooming as she was, he had long pursued her with attentions, but in
vain; coming up at that moment, he greeted her and asked maliciously how
she was? "Oh, oh," she moaned, quivering spasmodically, and springing,
up she clutched at the sneering fellow's breast and face.
"Madwoman," he cried, growing frightened, and, defending himself with
all his masculine strength, pushed her away. She stared after him with
wide-open eyes as though not realizing what she had done; then, as if
coming to her senses, returned to her work, which she continued without
interruption, except at times unconsciously heaving a loud sigh, until
at midday she was called to the kitchen to dinner. Here nothing but
faces expressing malicious joy at her discomfiture awaited her, and more
or less suppressed laughter and tittering, which grew stronger and more
pitiless as she continued to gaze down at her plate with burning cheeks,
and replied not a word to the volley of allusions.
Public-domain text, read in full here on John Shaqi.
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