The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
[Footnote 2: The reference is to a passage in the _Chanson de Roland_.
Roland was in command of a rear guard and was warned of the approach of
a large force of Saracens. His comrade Oliver begged him to sound his
horn and summon Charlemagne and his forces. Roland would not blow the
horn until nearly all his men were slain. At last, however, the Saracens
learned of Charlemagne's approach and fled. Roland then blew his horn
once more and died alone on the field as he heard Charlemagne's battle
cry.--TRANSLATOR.]
[Footnote 3: Balmung is the name of Siegfried's magical sword.]
[Footnote 4: The Mandrake is a plant growing in the Mediterranean region
and belonging to the potato family. It was early famed for its poisonous
and narcotic qualities. Love philtres were also made from its roots, and
an old High German story tells of little images made from the root, thus
endowed with the power of prophecy and respected as oracles. Probably
Hebbel refers to the German tradition, as he is speaking of the dwarfs
who are both small and wise. The German name of the plant is
_Alraune_.--TRANSLATOR.]
[Footnote 5: The translator finds that authorities and versions of the
tale differ as to Siegfried's _"Kappe."_ In Maurice Grau's
Götterdaemmerung libretto it is called in the English translation
"Tarnhelm," and Siegfried hangs it to his belt when not in use. Dippold
in his account of the Nibelung tale speaks of the _Tarn kappe_ or magic
_cap_ of darkness which _renders the wearer invisible._ But the
_Encyclopaedia Britannica_ speaks of the "cape of darkness" and Heath's
_Dictionary_ gives cap first, but calls _Tarn kappe_ "hiding cape." In
either case invisibility was obtained.--TRANSLATOR.]
ANNA (1836)
BY FRIEDRICH HEBBEL
TRANSLATED BY FRANCES H. KING
"Mild the air, and heaven blue,
Fragrant flowers full of dew,
And at even dance and play,
That is quite too much, I say."
Anna, the young servant maid, was gaily singing this song one bright
Sunday morning, while busily engaged in washing up the kitchen and dairy
crockery. At that moment Baron Eichenthal, in whose service she had been
for the last six months, passed by, wearing a green damask
dressing-gown. He was a decrepit young man, full of spleen and whims.
"What's the meaning of this yodelling!" he demanded haughtily, pausing
in front of her--"You know that I cannot bear frivolity."
Anna blushed violently: she remembered that her severe master would have
been very pleased to find her frivolous a few evenings ago in the
summerhouse. A sharp retort was on the tip of her tongue, but forcibly
suppressing it, she started to take up a white porcelain soup-tureen,
and, in a violent struggle with her natural fearlessness, let it fall to
the ground. The valuable dish broke and the Baron, who had already taken
a few steps forward, turned around, his face flaming with anger.
Public-domain text, read in full here on John Shaqi.
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