The German Classics of the Nineteenth and Twentieth Centuries, Volume 10: Prince Otto Von Bismarck, Count Helmuth Von Moltke, Ferdinand Lassalle
History
The German Classics of the Nineteenth and Twentieth Centuries, Volume 10: Prince Otto Von Bismarck, Count Helmuth Von Moltke, Ferdinand Lassalle
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
before the _chulos_ could bring help the bull buried his horns a
second time in the belly of the convulsed horse and carried it high up
in the air through half the length of the arena. The third horse was
ripped open in a trice. The wretched animal actually caught his feet
in his own entrails and dragged them from his body bit by bit. In this
condition he was beaten and given the spurs and was forced to await a
second attack by the infuriated bull.
Since the bull each time had received a terrific thrust on his left
shoulder from the spear, he finally refused to charge another one of
the _picadores_. Their places, therefore, had to be taken by the
_banderilleros_. These gay-looking people are men on foot with arrows
two feet long, each with a hooked point. On the other end these arrows
are decorated with little flags, brass foil, tinsel, and even bird
cages whence gaily decked birds are permitted to escape. With these
arrows the _banderilleros_ walk right up to the bull, and, when he is
ready to charge, jump to one side and thrust their weapons deep into
his neck, halfway between his ears and his horns. Then the beast grows
altogether mad and furious, and often chases a whole band of _chulos_
in wild flight over the barrier, which calls for noisy shouts of
ridicule from the crowd. Once the bull straddled the fence, and there
have been times when he has succeeded in scaling it. One of the
_chulos_ was so bold as to put his gaudy cloak over his shoulders, so
that the bull charged straight at him. But as the beast lowered his
head and threw himself forward with closed eyes, the man jumped over
him and stood by his side.
When finally the rage of the bull is at its height, but his strength
is waning, the _matador_ faces him, all alone. At once a hush falls
over the spectators, who sit in rapt attention, for the _matador's_
work is by far the most dangerous.
He is a fine-looking man, in shoes and white stockings. His silk coat
and breeches are sky blue; his hair is tied in a net, in his left hand
he carries a small scarlet cloak, and in his right a diamond-shaped
blade of sharp Toledo steel, four feet in length. It is necessary to
drive this into the neck of the bull at a very definite point, for if
it hits him elsewhere he can shake it off and break it into splinters.
In order to hit the right spot the man must let the bull pass him at a
distance of only two or at best three inches. Everything is based on
the assumption that the bull will attack the red cloth rather than the
man, and will continue his course in an absolutely straight line.
There are exceptions, and then the _matador_ is lost.
Public-domain text, read in full here on John Shaqi.
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