The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
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The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"No, Effi, nothing improper. Certainly not in the presence of your
mother, for I know you so well. You are a fantastic little person,
you like nothing better than to paint fanciful pictures of the future,
and the richer their coloring the more beautiful and desirable they
appear to you. I saw that when we were buying the traveling articles.
And now you fancy it would be altogether adorable to have a bed screen
with a variety of fabulous beasts on it, all in the dim light of a red
hanging lamp. It appeals to you as a fairy tale and you would like to
be a princess."
Effi took her mother's hand and kissed it. "Yes, mama, that is my
nature."
"Yes, that is your nature. I know it only too well. But, my dear Effi,
we must be circumspect in life, and we women especially. Now when you
go to Kessin, a small place, where hardly a streetlamp is lit at
night, the people will laugh at such things. And if they would only
stop with laughing! Those who are ill-disposed toward you--and there
are always some--will speak of your bad bringing-up, and many will
doubtless say even worse things."
"Nothing Japanese, then, and no hanging lamp either. But I confess I
had thought it would be so beautiful and poetical to see everything in
a dim red light."
Mrs. von Briest was moved. She got up and kissed Effi. "You are a
child. Beautiful and poetical. Nothing but fancies. The reality is
different, and often it is well that there should be dark instead of
light and shimmer."
Effi seemed on the point of answering, but at this moment Wilke came
and brought some letters. One was from Kessin, from Innstetten. "Ah,
from Geert," said Effi, and putting the letter in her pocket, she
continued in a calm tone: "But you surely will allow me to set the
grand piano across one corner of the room. I care more for that than
for the open fireplace that Geert has promised me. And then I am going
to put your portrait on an easel. I can't be entirely without you. Oh,
how I shall be homesick to see you, perhaps even on the wedding tour,
and most certainly in Kessin. Why, they say the place has no garrison,
not even a staff surgeon, and how fortunate it is that it is at least
a watering place. Cousin von Briest, upon whom I shall rely as my
chief support, always goes with his mother and sister to Warnemunde.
Now I really do not see why he should not, for a change, some day
direct our dear relatives toward Kessin. Besides, 'direct' seems to
suggest a position on the staff, to which, I believe, he aspires. And
then, of course, he will come along and live at our house. Moreover
Kessin, as somebody just recently told me, has a rather large steamer,
which runs over to Sweden twice a week. And on the ship there is
dancing (of course they have a band on board), and he dances very
well."
"Who?"
"Why, Dagobert."
"I thought you meant Innstetten. In any case the time has now come to
know what he writes. You still have the letter in your pocket, you
know."
Public-domain text, read in full here on John Shaqi.
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