The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
This was the day after the wedding. Three days later came a scribbled
little card from Munich, with all the names on it indicated by two
letters only. "Dear mama: This morning we visited the Pinakothek.
Geert wanted to go over to the other museum, too, the name of which I
will not mention here, because I am in doubt about the right way to
spell it, and I dislike to ask him. I must say, he is angelic to me
and explains everything. Generally speaking, everything is very
beautiful, but it's a strain. In Italy it will probably slacken
somewhat and get better. We are lodging at the 'Four Seasons,' which
fact gave Geert occasion to remark to me, that 'outside it was autumn,
but in me he was having spring.' I consider that a very graceful
compliment. He is really very attentive. To be sure, I have to be
attentive, too, especially when he says something or is giving me an
explanation. Besides, he knows everything so well that he doesn't even
need to consult a guide book. He delights to talk of you two,
especially mama. He considers Hulda somewhat affected, but old Mr.
Niemeyer has completely captivated him. A thousand greetings from your
thoroughly entranced, but somewhat weary Effi."
Similar cards now arrived daily, from Innsbruck, from Vicenza, from
Padua. Every one began: "We visited the famous gallery here this
morning," or, if it was not the gallery, it was an arena or some
church of "St. Mary" with a surname. From Padua came, along with the
card, a real letter. "Yesterday we were in Vicenza. One must see
Vicenza on account of Palladio. Geert told me that everything modern
had its roots in him. Of course, with reference only to architecture.
Here in Padua, where we arrived this morning, he said to himself
several times in the hotel omnibus, 'He lies in Padua interred,' and
was surprised when he discovered that I had never heard these words.
But finally he said it was really very well and in my favor that I
knew nothing about them. He is very just, I must say. And above all he
is angelic to me and not a bit overbearing and not at all old, either.
I still have pains in my feet, and the consulting of guide books and
standing so long before pictures wears me out. But it can't be helped,
you know. I am looking forward to Venice with much pleasure. We shall
stay there five days, perhaps even a whole week. Geert has already
begun to rave about the pigeons in St. Mark's Square, and the fact
that one can buy there little bags of peas and feed them to the pretty
birds. There are said to be paintings representing this scene, with
beautiful blonde maidens, 'a type like Hulda,' as he said. And that
reminds me of the Jahnke girls. I would give a good deal if I could be
sitting with them on a wagon tongue in our yard and feeding _our_
pigeons. Now, you must not kill the fan tail pigeon with the big
breast; I want to see it again. Oh, it is so beautiful here. This is
even said to be the most beautiful of all. Your happy, but somewhat
weary Effi."
Public-domain text, read in full here on John Shaqi.
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