The German Classics of the Nineteenth and Twentieth Centuries, Volume 12 — John Shaqi
The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
High Altar at Salzburg. By Adolph von Menzel
Bathing Boys. By Adolph von Menzel
Frau von Schleinitz "At Home." By Adolph von Menzel
Supper at a Court Ball. By Adolph von Menzel
EDITOR'S NOTE
This volume, containing representative works by two of the foremost
realists of midcentury German literature, Freytag and Fontane, brings,
as an artistic parallel, selections from the work of the greatest
realist of midcentury German painting: Adolph von Menzel.
KUNO FRANCKE.
THE LIFE OF GUSTAV FREYTAG
By ERNEST F. HENDERSON, PH.D., L.H.D.
Author of _A History of Germany in the Middle Ages; A Short History of
Germany, etc._
It is difficult to assign to Gustav Freytag his exact niche in the
hall of fame, because of his many-sidedness. He wrote one novel of
which the statement has been made by an eminent French critic that no
book in the German language, with the exception of the Bible, has
enjoyed in its day so wide a circulation; he wrote one comedy which
for years was more frequently played than any other on the German
stage; he wrote a series of historical sketches--_Pictures of the
German Past_ he calls them--which hold a unique place in German
literature, being as charming in style as they are sound in
scholarship. Add to these a work on the principles of dramatic
criticism that is referred to with respect by the very latest writers
on the subject, an important biography, a second very successful
novel, and a series of six historical romances that vary in interest,
indeed, but that are a noble monument to his own nation and that,
alone, would have made him famous.
As a novelist Freytag is often compared with Charles Dickens, largely
on account of the humor that so frequently breaks forth from his
pages. It is a different kind of humor, not so obstreperous, not so
exaggerated, but it helps to lighten the whole in much the same way.
One moment it is an incongruous simile, at another a bit of sly
satire; now infinitely small things are spoken of as though they were
great, and again we have the reverse.
Public-domain text, read in full here on John Shaqi.
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