The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
men, not to be moved, inexorable. Quite a different picture is that of
his personality in contest with earthly foes. Here he retains almost
everywhere the superiority of conviction, particularly in his literary
feuds.
The literary activity which he developed at this time was gigantic. Up
to 1517 he had printed little. From that time on he was not only the
most productive but the greatest popular writer of Germany. The energy
of his style, the vigor of his argumentation, the ardor and passion of
his conviction, carried away his readers. No one had ever spoken thus
to the people. His language lent itself to every mood, to all keys;
now brief, forcible, sharp as steel, now in majestic breadth, the
words poured in among the people like a mighty stream. A figurative
expression, a striking simile, made the most difficult thoughts
intelligible. His was a wonderfully creative power. He used language
with sovereign ease. As soon as he touched a pen his mind worked with
the greatest freedom; his sentences show the cheerful warmth which
filled him, the perfect charm of sympathetic creation is poured out
upon them. And such power is by no means least apparent in the attacks
which he makes upon individual opponents, and it is closely connected
with a fault which caused misgivings even to his admiring
contemporaries. He liked to play with his opponents. His imagination
clothed the form of an enemy with a grotesque mask, and he teased,
scorned, and stabbed this picture of his imagination with turns of
speech which had not always the grace of moderation, or even of
decency; but in the midst of vituperation, his good humor generally
had a conciliatory effect--although, to be sure, not upon his victims.
Petty spite was rarely visible; not seldom the most imperturbable
good-nature. Sometimes he fell into a true artistic zeal, forgot the
dignity of the reformer, and pinched like a German peasant boy, even
like a malicious goblin. What blows he gave to all his opponents, now
with a club, wielded by an angry giant, now with a jester's bauble! He
liked to twist their names into ridiculous forms, and thus they lived
in Wittenberg circles as beasts, or as fools. Eck became Dr. Geck;
Murner was adorned with the head and claws of a cat; Emser, who had
printed at the head of most of his pamphlets his coat-of-arms the head
of a horned goat, was abused as a goat. The Latin name of the renegade
humanist Cochläus, was retranslated, and Luther greeted him as a snail
with impenetrable armor, and--sad to say--sometimes also as a dirty
boy whose nose needed wiping. Still worse, terrible even to his
contemporaries, was the reckless violence with which he declaimed
against hostile princes. It is true that he sometimes bestowed upon
his sovereign's cousin, Duke George of Saxony, a consideration hardly
to be avoided. Each considered the other the prey of the devil, but in
secret each esteemed in the other a manly worth. Again and again they
Public-domain text, read in full here on John Shaqi.
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