The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
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The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Ferdinande sprang up as Ottomar's step was heard across the hall down
the creaking stair, and paced to and fro in the little room a few
times, wringing her hands; then she threw herself upon the sofa again,
when she finally saw Ottomar, resting her head in her hands on the arm
of the sofa. But she had not been weeping, and she was not weeping
now; she had no tears. She no longer had any hope, any wish but to be
allowed to die for him, as she could not live for him, and as her life
would be another burden, another torture, for him.
If she had only believed the officer with the smooth brow and the
wide sympathetic eyes, when he said: "You deceive yourself, young
lady; your flight with Ottomar is not a solution, it is only another
complication, and the worst one of all! The difficulty for Ottomar lies
in his wretchedly compromised honor as an officer. The appearance of
things here at least, must be saved, and that is in accordance with
the preliminaries which I have arranged. His life will be at the best
a life in death, and I don't know whether he will be able to endure
it; indeed, I doubt it; but in cases like this it is permissible to
silence one's better convictions. But there is no doubt that, if you
fly with him now and the affair becomes known, as it must, for us his
friends there remains no possibility of saving appearances. An officer
who must resign his position because of debts, whose engagement is
annulled in consequence, who, in this critical predicament, gives up
also the right to call to account slanderers and tale-bearers--that
can happen, unfortunately happens only too often. But thus--pardon
the expression--free course is given to scandal. The man who, in such
a moment, can think of anything but saving from shipwreck as much of
his honor as he can, or, if nothing more is left to be saved, does not
at least resign with dignity, perhaps--perhaps even to give up his
life--who, instead of this, involves another being in this shipwreck,
whom he declares he loves--an innocent girl, a respectable lady--that
man has lost all claim to interest or sympathy. Ottomar himself must
see that sooner or later. This journey of his to Warnow has, to my
mind, absolutely no point. What will he do there? Call Giraldi to
account? The Italian will answer him: You are not a child; you were not
a child; you must have known what you were doing.--Challenge the Count?
For what, when he accompanies you? Well, let him go; but alone--not
with you! I entreat you, not with you! Believe me!--Love in whose
omnipotence you so firmly believe, which is to help Ottomar over all
difficulties as with a divine hand--it will prove itself absolutely
impotent--yes, worse than that; it will completely shatter the little
strength that Ottomar might have summoned. For his sake--if you will
not think of yourself--do not go with him!"
Public-domain text, read in full here on John Shaqi.
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