The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"I can find my way," the landlady murmured, and turned toward the beds
in the dusk, but stopped as she heard the door adjoining open and the
young lady utter a slight scream. "Good Heavens!" thought she, "people
of quality are almost worse off than we are"--for the gentleman who
had returned had begun at once to speak in a tone not exactly loud,
but evidently excited. What could be the trouble between the two young
people? thought she, slipping on tiptoe to the door. But she could
not understand anything of all the gentleman was saying, nor the few
words which the lady interjected; and then it seemed to the landlady
as if it was not the clear voice of the gentleman and as if the two
were not speaking German. She peeped through the crack and saw, to her
astonishment and terror, a wild strange man in the room with the young
lady, from whose shoulders a brown coat fell to the floor as she looked
in; but he did not pick it up, though continuing to gesticulate and to
speak more rapidly and loudly in his unintelligible gibberish like a
crazy man, as the terrified landlady thought.
"I will not go back again!" cried Antonio, "after having run half the
way like a dog behind his mistress, whom a robber has kidnapped, and
ridden the other half cramped up in straw in a wagon, like an animal
taken to market by the butcher. I don't intend to be a dog, worse
than a beast, any longer, and I will no longer endure it. I now know
everything, everything, everything!--How he has betrayed you, the
infamous coward, to run after another, and again from her to you, and
has lain before your door whining for favor, while those inside have
been making a match for him. His wench and that infernal Giraldi, whom
I intend to throttle whenever and wherever I meet him, as truly as my
name is Antonio Michele! I know everything, everything, everything--and
that you will yield your person to him tonight, as you have already
yielded your soul to him!"
The desperate man could not understand the half contemptuous, half
melancholy smile which played about the proud lips of the beautiful
girl.
"Don't laugh, or I'll kill you!"
And then as she arose--not from fear, but only to ward off the furious
man----
"Pardon, oh! pardon me--I kill you, you--you, who are everything to
me, the light and joy of my life, for whom I would let myself be torn
in pieces, limb by limb! I will give every drop of my heart's blood
if you will only let me kiss the hem of your garment--kiss the ground
upon which you tread! How often, how often, have I done it without your
knowing it--in your studio--the place where your beautiful feet have
rested, the implements which your hand has touched! And I demand so
little! I am willing to wait--for years--as I have already waited for
years; I shall not grow tired of serving you, of worshiping you as the
Holy Madonna, till the day comes when you will hear my prayers."
He dropped to his knees where he stood, lifting his wild eyes and
twitching hands to her.
Public-domain text, read in full here on John Shaqi.
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