The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"There," exclaimed the old woman after a while, "now it's enough; and
you can still sit on him today; perhaps your father only killed him
for that!" Then she lifted the child up by both arms and set her down
roughly on the stool. But as Wienke sat there silent and immovable,
only looking at her all the time, she began to shake her head: "Thou
art punishing him, Lord God! Yes, yes, Thou art punishing him!" she
murmured; but pity for the child seemed to come over her after all: she
put out her bony hand and stroked the little girl's sparse hair and an
expression came into the child's eyes as if she liked the touch.
[Illustration: A QUIET CORNER
JACOB ALBERTS]
From now on Wienke came to see the old woman in her room daily. Soon
she sat down of her own accord on the Angora footstool and Trien' Jans
gave her little pieces of meat or bread of which she always kept some
on hand, and let her throw them on the floor; then the gull shot out
of some corner, screeching, with outstretched wings, and fell upon
them. At first the child used to be frightened and screamed at the big
flapping bird; but soon it was like a game they had learnt, and as soon
as she stuck even her head through the crack of the door the bird shot
out towards her and lighted on her head or shoulder till the old
woman came to her aid and the feeding could begin. Trien' Jans, who in
general could not bear even to have anyone stretch out his hand towards
her Klaus, now looked on patiently while the child gradually won the
bird entirely away from her. It let Wienke catch it willingly; she
carried it about and wrapped it in her apron, and, when, on the mound,
the little yellow dog sometimes sprang about her and jumped jealously
at the bird, she would cry out: "Not you, not you, Perle!" and would
lift the gull so high in her little arms that it would free itself
and fly away shrieking across the mound, and the dog would try to
secure its place in her arms by jumping and rubbing against his little
mistress.
When Hauke's or Elke's eyes chanced to fall on this odd group, like
four leaves all held fast on one stem by only a common lack, a tender
glance would indeed fly towards their child; when they turned away
there remained in their faces only pain which each bore for himself,
for they had never yet unburdened their hearts to each other about the
child. One summer morning as Wienke was sitting with the old woman
and the two animals on the big stone in front of the barn door, her
parents, the dikegrave with his white horse behind him, the reins over
his arm, passed by; he was going out on the dike and had fetched his
horse from the fens himself; on the mound his wife had slipped her arm
through his. The sun shone down warmly; it was almost sultry, and now
and then there came a puff of wind from the south-southeast. The child
must have found it tiresome where she was: "Wienke wants to go," she
called, shook the gull from her lap, and reached for her father's hand.
Public-domain text, read in full here on John Shaqi.
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