The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
By virtue of its elevation Raabe's humor has a quiet and certain
glance, and is apt to spend its all-embracing sympathy on what is
overlooked, what is insignificant, and in all it finds greatness and
light hidden and operative. The apparently contradictory attracts him
whether it appears to be contradictory in itself or contradictory to
what is generally accepted and traditional. He makes friends with
originals and oddities; he leads us into the isolation of small German
towns, and we feel at home in their sociability and narrowness, in
their affection for things and customs of olden times, in their
solidity and singularity, in all their local joys and sorrows. Among
his many stories we may refer in this connection to: _Der Dräumling_
(1872), _Wunnigel_ (1878), _The Horn of Wanza_ (1880).
Even in Germany Raabe became known only slowly. This was due to his
quiet character that disdained all striving after effect, to the
intentional mixture of various elements in his art which sometimes
makes it difficult to grasp the purpose of a work as a whole, to his
persistent pursuit of ends that lay outside the ruling interests of
his time. When once his countrymen began to come to themselves again,
however, he did not lack homage. And so it will probably continue to
be. An age whose interests are centered largely in the external side of
life will think little of him and pass him by, while one whose gaze is
directed rather within will take the pains to understand and appreciate
him. May his image never be blotted out entirely! For he belongs to
those who feel ever rising within them the question, "What shall it
profit a man, if he shall gain the whole world, and lose his own soul?"
[Illustration: WILHELM RAABE]
_WILHELM RAABE_
THE HUNGER PASTOR
TRANSLATED AND ABRIDGED BY MURIEL ALMON
CHAPTER I
It is of hunger that I am going to speak in this good book of mine:
what it means, what it desires, what it is able to do. I cannot, to
be sure, show how, for the world as a whole, hunger is both Shiva and
Vishnu, destroyer and preserver in one; it is for history to show that;
but I can describe how it works in the individual as destroyer and
preserver, and will continue so to work till the end of the world.
Public-domain text, read in full here on John Shaqi.
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