The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
He kissed the rings and laid them back into the box, and from the
several miniatures on ivory took that of a beautiful brown-haired,
brown-eyed boy of perhaps six years.
He looked at it for a long time, motionless.
"The family of Werben will die out with him, and--he was my favorite.
Perhaps I am to be punished because I was unspeakably proud of him
prematurely."
* * * * *
[Old Grollmann, the servant, finds a similar letter directed to Uncle
Ernst, and delivers it. Uncle Ernst reads it, drinks a bottle of wine,
and falls asleep, after having rung for his afternoon coffee. He is
found in this condition by Grollmann. Reinhold has been casting longing
glances toward the Werben house over the wall. The General calls to
speak with Uncle Ernst about the letter.
The General gives Uncle Ernst a brief story of his life and his
social point of view, so far as they touch the family of von Werben,
disclosing his aristocratic attitude. Uncle Ernst replies that he has
no family history to relate, but gives a brief sketch of his own life,
recalling vividly the incident in which he spared the General before
the barricade, and was taken captive by him in return, and shut up in
Spandau. It is a struggle between the aristocrat and the democrat of
'48; a sullen silence prevails between the two men. The General finally
asks, in the name of Ottomar, for the hand of Ferdinande. Uncle Ernst
starts back in amazement.]
* * * * *
The night had had no terrors and the morning no gloom for Ferdinande.
In her soul it was bright daylight for the first time in many
months--yes, as she thought, for the first time since she knew what a
passionate, proud, imperious heart throbbed in her bosom. They had told
her so, so often--in earlier years her mother, later her aunt, her girl
friends, all--that it would some time be her undoing, and that pride
goes before a fall; and she had always answered with resentment: "Then
I will be undone, I will fall, if happiness is to be had only as the
niggardly reward of humility, which always writhes in the dust before
Fate, and sings hymns of thanks because the wheels of grim Envy only
passed over it but did not crush it! I am not a Justus, I am not a
Cilli!"
And she had been unhappy even in the hours when enthusiastic artists,
Justus' friends, had worshipped, in extravagant words, the splendid
blooming beauty of the young girl; when these men praised and aided
her talents, and told her that she was on the right path to becoming
an artist at last--that she was an artist, a true artist. She did not
believe them; and, if she were a real artist--there were much greater
ones! Even Justus' hand could reach so much higher and farther than
hers; he plucked fruits with a smile and apparently without effort for
which she had to strive with unprecedented efforts and which would ever
remain unattainable to her, as she had secretly confessed to herself.
Public-domain text, read in full here on John Shaqi.
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