The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
But such organs are noisy and draw
people to the windows and into the street. And why butcher the victim,
since so many strong men could easily have strangled him? Show me the
medical report. Monsieur, does it not speak of a gash rather than a
stab? And what twaddle, that about the funeral train, what betraying
arrangements in a country where every sign-post has eyes! I am accused
of having rushed into my uncle's house the following day and stolen
some papers. Where are those papers? My uncle died almost poor. His
claim against me was transferred to President Seguret. Why, then, the
deed? What do they want with me? Who that has eyes sees my hands
stained?"
This language was defiant. It aroused the displeasure of the court and
increased the hatred of the multitude, whom it reached in garbled
shape. Through fear of the people, no lawyer dared undertake Bastide
Grammont's defense. Monsieur Pinaud, who alone had the courage to point
out the improbabilities and the fantastic origin of most of the
testimony, came near paying with his life for his zeal for truth. One
night a mob, including some peasants, marched to his house, smashed his
windows, demolished the gate, and set fire to the steps. The terrified
man made his escape with difficulty, and fled to Toulouse.
Bastide Grammont clearly recognized that, for the present, it was
useless to offer any resistance; he determined, therefore, to transform
all his valor into patience and keep his lips closed as if they were
doors through which his hopes might take flight. He, the freest of men,
had to pass the radiant spring days, the fragrant summer nights, in a
damp hole which rendered one's own breath offensive; he, to whom
animals spoke, for whom flowers had eyes, the earth at times a
semblance of the glow of love, who walked, strode, roamed, rode, as
artists produce enchanting creations--he was condemned by the perverse
play of incomprehensible circumstances to a foretaste of the grave and
deprived of what he held dearest and most precious. Frequent grew the
nights of sullenness when his eyes, brimming over with tears, were
dulled at the thought of disgrace; more frequent the days of
irrepressible longing, when every grain of sand that crumbled from the
moist walls was a reminder of the wondrous being and working of the
earth, the meadow, the wood. From the events which had overshadowed his
life he turned away his thoughts in disgust, and he scarcely heard the
keeper when he appeared one morning and exultingly informed him that
the mysterious unknown, who was destined to become the chief witness,
the lady with the green feathers, had finally been found; she had come
forward of her own accord, and she was the daughter of President
Seguret, Clarissa Mirabel.
Bastide Grammont gazed gloomily before him. But from that hour that
name hovered about his ears like the fluttering of the wings of
inevitable Fate.
* * * * * *
Public-domain text, read in full here on John Shaqi.
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