The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
MISS COEURNE (pleadingly). Well, I won't hide myself a second time.--I
won't do it again ...
GERARDO. Really, my child, I haven't any more time. It's too bad, but I
am about to leave town. I told you, did I not, that I am sorry for you?
I really am, but my train is scheduled to leave in twenty-five minutes.
So what more do you want?
MISS COEURNE. A kiss.
GERARDO (standing up stiff and straight). From me?
MISS COEURNE. Yes.
GERARDO (putting his arm around her, dignified, but sympathetic). You
are desecrating art, my child. Do you really think it's for this that
they are willing to pay my weight in gold? Get older first and learn to
respect more highly the chaste goddess to whom I devote my life and
labor.--You don't know whom I mean?
MISS COEURNE. No.
GERARDO. That's what I thought. Now, in order not to be inhuman, I will
present you with my picture. Will you give me your word that after that
you will leave me?
MISS COEURNE. Yes.
GERARDO. Very well, then. (Walks back of the table to sign one of his
photographs.) Why don't you try to interest yourself in the operas
themselves rather than in the men on the stage? You may find it to be a
higher enjoyment, after all.
MISS COEURNE (in an undertone). I am too young.
GERARDO. Sacrifice yourself to music! (Comes forward and hands her the
photograph.) You are too young, but--may be you'll succeed in spite of
that. Do not see in me the famous singer, but the unworthy
tool in the hands of a master. Look around among the married women you
know; all of them Wagnerians! Study his librettos, learn to feel each
leitmotiv. That will keep you from committing indiscretions.
MISS COEURNE. I thank you.
GERARDO (escorts her out into the hall, rings for the valet in passing
through the door. Returns and picks up again the piano arrangement of
"Tristan and Isolde;" walks to the right). Come in!
Scene V
GERARDO. VALET.
VALET (panting and breathless). Yes, Sir? Your orders?
GERARDO. Are you standing at the door downstairs?
VALET. Not at present. Sir.
GERARDO. I can see as much--simpleton! But you won't let anybody come
up here, will you?
VALET. There were three ladies inquiring about you.
GERARDO. Don't you dare admit anybody, whatever they tell you.
VALET. Then there's another batch of letters.
GERARDO. Yes, never mind. (Valet puts letter on tray.) Don't you dare
admit anybody!
VALET (at the door). Very well. Sir.
GERARDO. Not even, if they should offer you an annuity for life.
VALET. Very well, Sir. [Exit.]
Scene VI
GERARDO.
GERARDO (alone, tries to sing). "Isolde! Beloved! Art thou ..." I
should think these women might get tired of me _some_ time! But, then,
the world holds so many of them! And I am only one. Well, everybody
bears his yoke and has to bear it! (Walks to the piano and strikes two
thirds.)
[Illustration: SIEGFRIED WAGNER]
Public-domain text, read in full here on John Shaqi.
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