The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
This, the last volume of THE GERMAN CLASSICS, was intended to be
devoted to the contemporary drama exclusively. But the harvest of the
contemporary German Short Story is so rich that an overflow from Volume
XIX had to be accommodated in Volume XX. It is hoped that this has not
seriously crippled the representative character of the dramatic
selections, although the editors are fully aware of the importance of
such dramatists as Herbert Eulenberg, Wilhelm Schmidtbonn, or Fritz von
Unruh. The principal tendencies, at any rate, of the hopeful and eager
activity which distinguishes the German stage of today are brought out
in this volume with sufficient clearness, especially in combination
with the selections from Schoenherr and Hofmannsthal in Volumes XVI and
XVII.
The European war, unfortunately, has prevented us from making the
selections from contemporary German painting in Volumes XIX and XX as
varied and representative as we had hoped.
KUNO FRANCKE.
JAKOB WASSERMANN
* * * * * *
CLARISSA MIRABEL (1906)
TRANSLATED BY JULIA FRANKLIN
In the little town of Rodez, situated on the western side of the
Cevennes and washed by the waters of the river Aveyron, there lived a
lawyer by the name of Fualdes, a commonplace man, neither good nor bad.
Notwithstanding his advanced age, he had only recently retired from
affairs, and his finances were in such a bad shape that he was obliged,
in the beginning of the year 1817, to dispose of his estate of La
Morne. With the proceeds he meant to retire to some quiet spot and live
on the interest of his money. One evening--it was the nineteenth of
March--he received from the purchaser of the estate, President Seguret,
the residue of the purchase-money in bills and securities, and, after
locking the papers in his desk, he left the house, having told the
housekeeper that he had to go to La Morne once more in order to make
some necessary arrangements with the tenant.
He neither reached La Morne nor returned to his home. The following
morning a tailor's wife from the village of Aveyron saw his body lying
in a shallow of the river, ran to Rodez and fetched some people back
with her. The rocky slope was precipitously steep at that point, rising
to a height of about forty feet. A great piece of the narrow footpath
which led from Rodez to the vineyards had crumbled away, and it was
doubtless owing to that circumstance that the unfortunate man had been
precipitated to the bottom. It had rained very heavily the day before,
and the soil on top had, according to the testimony of a number of
people who worked in the vineyards, been loose for a long time. It
seemed a singular fact that there was a deep gash in the throat of the
dead man; but as jagged stones projected all over the rocky surface of
the slope, such an injury explained itself. On examination of the
steep wall, no traces of blood were found on stone or earth. The rain
had washed away everything.
Public-domain text, read in full here on John Shaqi.
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