[36] "Emperor William, one of the most comical persons of our time, orator, poet, musician, dramatic writer, and artist, and, above all, patriot, has lately painted a picture representing all the nations of Europe with swords, standing at the seashore and, at the indication of Archangel Michael, looking at the sitting figures of Buddha and Confucius in the distance. According to William's intention, this should mean that the nations of Europe ought to unite in order to defend themselves against the peril which is proceeding from there. He is quite right from his coarse, pagan, patriotic point of view, which is eighteen hundred years behind the times. The European nations, forgetting Christ, have in the name of their patriotism more and more irritated these peaceful nations and have taught them patriotism and war, and have now irritated them so much that, indeed, if Japan and China will as fully forget the teachings of Buddha and of Confucius as we have forgotten the teachings of Christ, they will soon learn the art of killing people (they learn these things quickly, as Japan has proved), and, being fearless, agile, strong, and populous, they will inevitably very soon make of the countries of Europe, if Europe does not invent something stronger than guns and Edison's inventions, what the countries of Europe are making of Africa. 'The disciple is not above his master: but every one that is perfect shall be as his master' (Luke 6:40)."--TOLSTOI. It is a curious fact that for all the Emperor's insistence upon what might be called nationalism, in artistic matters at least, in poetry, sculpture, and the drama, he has very little sympathy with the modern German tendencies. Klinger and Stuck, Ludwig von Hofmann and Thoma have found no favor, and no attention was paid to Böcklin. His literary preferences will become more evident after a reading of his talk with Ganghofer (November 12, 1906).