For months, she browsed unchecked. As her choice had to be made with extreme celerity, and from those shelves nearest the piano, it was in the nature of things that it was not invariably a happy one. For some time she had but moderate luck, and sampled queer foods. To these must be reckoned a translation of FAUST, which she read through, to the end of the First Part at least, with a kind of dreary wonder why such a dull thing should be called great. For her next repast, she sought hard and it was in the course of this rummage that she had the strangest find of all. Running a skilled eye over the length of a shelf close at hand, she hit on a slim, blue volume, the title of which at once arrested her attention. For, notwithstanding her fourteen years, and her dabblings in Richardson and Scott, Laura's liking for a real child's book was as strong as it had ever been; and A DOLL'S HOUSE seemed to promise good things. Deftly extracting the volume, she struck up her scales and began to read. This was the day on which, after breakfast, Mrs. Gurley pulverised her with the remark: "A new, and, I must say, extremely interesting, fashion of playing scales, Laura Rambotham! To hold, the forte pedal down, from beginning to end!" Laura was unconscious of having sinned in this way. But it might quite well be so. For she had spent a topsy-turvy, though highly engrossing hour. In place of the children's story she anticipated, she had found herself, on opening the book, confronted by the queerest stuff she had ever seen in print. From the opening sentence on. To begin with, it was a play--and Laura had never had a modern prose play in her hand before--and then it was all about the oddest, yet the most commonplace people. It seemed to her amazingly unreal--how these people spoke and behaved--she had never known anyone like them; and yet again so true, in the way it dragged in everyday happenings, so petty in its rendering of petty things, that it bewildered and repelled her: why, some one might just as well write a book about Mother or Sarah! Her young, romantic soul rose in arms against this, its first bluff contact with realism, against such a dispiriting sobriety of outlook. Something within her wanted to cry out in protest as she read--for read she did, on three successive days, with an interest she could not explain. And that was not all. It was worse that the people in this book--the extraordinary person who was married, and had children, and yet ate biscuits out of a bag and said she didn't; the man who called her his lark and his squirrel--as if any man ever did call his wife such names!--all these people seemed eternally to be meaning something different from what they said; something that was for ever eluding her. It was most irritating.-- There was, moreover, no mention of a doll's house in the whole three acts.