Australia -- Fiction; Autobiographical fiction; Bildungsromans; Melbourne (Vic.) -- Fiction; Young women -- Fiction
The state of confusion this booklet left her in, she allayed with a
little old brown leather volume of Longfellow. And HYPERION was so much
more to her liking that she even ventured to borrow it from its place
on the shelf, in order to read it at her leisure, braving the chance
that her loan, were it discovered, might be counted against her as a
theft.
It hung together, no doubt, with the after-effects of her dip into
Ibsen that, on her sitting down to write the work that was to form her
passport to the Society, her mind should incline to the most romantic
of romantic themes. Not altogether, though: Laura's taste, such as it
was, for literature had, like all young people's, a mighty bias towards
those books which turned their backs on reality: she sought not truth,
but the miracle. However, though she had thus taken sides, there was
still a yawning gap to be bridged between her ready acceptance of the
honourable invitation, and the composition of a masterpiece. Thanks to
her wonted inability to project her thoughts beyond the moment, she had
been so unthinking of possible failure that Cupid had found it
necessary to interject: "Here, I say, don't blow!" Whereas, when she
came to write, she sat with her pen poised over the paper for nearly
half an hour, without bringing forth a word. First, there was the
question of form: she considered, then abruptly dismissed, the idea of
writing verses: the rhymes with love and dove, and heart and part,
which could have been managed, were, she felt, too silly and
sentimental to be laid before her quizzical audience. Next, what to
write about--a simple theme, such as a fairy-tale, was not for a moment
to be contemplated. No, Laura had always flown her hawk high, and she
was now bent on making a splutter. It ended by being a toss-up between
a play in the Shakesperian manner and a novel after Scott. She decided
on the novel. It should be a romance of Venice, with abundant murder
and mystery in it, and a black, black villain, such as her soul
loved--no macaroon-nibblers or rompers with children for her! And
having thus attuned her mind to scarlet deeds, she set to work. But she
found it tremendously difficult to pin her story to paper: she saw
things clearly enough, and could have related them by word of mouth;
but did she try to write them down they ran to mist; and though she
toiled quite literally in the sweat of her brow, yet when the eventful
day came she had but three niggardly pages to show for her pains.
Public-domain text, read in full here on John Shaqi.
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