The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.Mooney, James
Religion
The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.
Mooney, James
Dakota Indians -- Wars, 1890-1891; Ghost dance
In subsequent conversations he added a few minor details in regard
to his vision and his doctrine. He asked many questions in regard to
the eastern tribes whose delegates had visited him, and was pleased
to learn that the delegates from several of these tribes were my
friends. He spoke particularly of the large delegation—about twelve in
number—from the Cheyenne and Arapaho, who had visited him the preceding
summer and taken part in the dance with his people. Nearly all the
members of this party were personally known to me, and the leader,
Black Coyote, whose picture I had with me and showed to him, had been
my principal instructor in the Ghost dance among the Arapaho. While
this fact put me on a more confidential footing with Wovoka, it also
proved of great assistance in my further investigation on my return to
the prairie tribes, as, when they were satisfied from my statements
and the specimens which I had brought back that I had indeed seen and
talked with the messiah, they were convinced that I was earnestly
desirous of understanding their religion aright, and from that time
spoke freely and without reserve.
I had my camera and was anxious to get Wovoka’s picture. When the
subject was mentioned, he replied that his picture had never been made;
that a white man had offered him five dollars for permission to take
his photograph, but that he had refused. However, as I had been sent
from Washington especially to learn and tell the whites all about him
and his doctrine, and as he was satisfied from my acquaintance with his
friends in the other tribes that I must be a good man, he would allow
me to take his picture. As usual in dealing with Indians, he wanted
to make the most of his bargain, and demanded two dollars and a half
for the privilege of taking his picture and a like sum for each one
of his family. I was prepared for this, however, and refused to pay
any such charges, but agreed to give him my regular price per day for
his services as informant and to send him a copy of the picture when
finished. After some demur he consented and got ready for the operation
by knotting a handkerchief about his neck, fastening an eagle feather
at his right elbow, and taking a wide brim sombrero upon his knee. I
afterward learned that the feather and sombrero were important parts
of his spiritual stock in trade. After taking his picture I obtained
from him, as souvenirs to bring back and show to my Indian friends in
Indian Territory, a blanket of rabbit skins, some piñon nuts, some tail
feathers of the magpie, highly prized by the Paiute for ornamentation,
and some of the sacred red paint, endowed with most miraculous powers,
which plays so important a part in the ritual of the Ghost-dance
religion. Then, with mutual expressions of good will, we parted, his
uncle going back to the reservation, while I took the train for Indian
Territory.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account