The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2. — John Shaqi
The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.Mooney, James
Religion
The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.
Mooney, James
Dakota Indians -- Wars, 1890-1891; Ghost dance
Probably every Indian tribe, north and south, had its early hero god,
the great doer or teacher of all first things, from the Inskeha and
Manabozho of the rude Iroquoian and Algonquian to the Quetzalcoatl, the
Bochica, and the Viracocha of the more cultivated Aztecs, Muyscas, and
Quichuas of the milder southland. Among the roving tribes of the north
this hero is hardly more than an expert magician, frequently degraded
to the level of a common trickster, who, after ridding the world of
giants and monsters, and teaching his people a few simple arts, retires
to the upper world to rest and smoke until some urgent necessity again
requires his presence below. Under softer southern skies the myth takes
more poetic form and the hero becomes a person of dignified presence, a
father and teacher of his children, a very Christ, worthy of all love
and reverence, who gathers together the wandering nomads and leads them
to their destined country, where he instructs them in agriculture,
house building, and the art of government, regulates authority, and
inculcates peaceful modes of life. “Under him, the earth teemed with
fruits and flowers without the pains of culture. An ear of Indian corn
was as much as a single man could carry. The cotton, as it grew, took
of its own accord the rich dyes of human art. The air was filled with
intoxicating perfumes and the sweet melody of birds. In short, these
were the halcyon days, which find a place in the mythic systems of
so many nations in the Old World. It was the golden age of Anahuac.”
(_Prescott, 1._)[1] When at last his work is well accomplished, he bids
farewell to his sorrowing subjects, whom he consoles with the sacred
promise that he will one day return and resume his kingdom, steps into
his magic boat by the seashore, and sails away out of their sight to
the distant land of sunrise.
Such was Quetzalcoatl of the Aztecs, and such in all essential respects
was the culture god of the more southern semicivilized races. Curiously
enough, this god, at once a Moses and a messiah, is usually described
as a white man with flowing beard. From this and other circumstances
it has been argued that the whole story is only another form of the
dawn myth, but whether the Indian god be an ancient deified lawgiver of
their own race, or some nameless missionary who found his way across
the trackless ocean in the early ages of Christianity, or whether we
have here only a veiled parable of the morning light bringing life
and joy to the world and then vanishing to return again from the east
with the dawn, it is sufficient to our purpose that the belief in the
coming of a messiah, who should restore them to their original happy
condition, was well nigh universal among the American tribes.
Public-domain text, read in full here on John Shaqi.
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