The ghost of Charlotte Cray, and other storiesMarryat, Florence
Science
The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
Here we all unpack ourselves; and a buxom German landlady, with a
kind, motherly face, comes down the steps to greet us. She has
received my letter; the beds are all ready for us; the dinner will be
on the table in half-an-hour; we are to be pleased to enter, and make
ourselves at home. We _are_ very pleased; for we are dreadfully tired
(not cold, for the weather is unnaturally mild), and have not had
anything substantial to eat all the day. We climb up the steps of the
hotel, which looks just like a farmhouse abutting on the main street,
and find ourselves in a sanded room, containing a long wooden table,
with benches either side of it, and bearing evident reminiscences of
smoking and drinking--in fact, “not to put too fine a point on it,”
the public tap-room--but where we are met by the landlady’s two eldest
daughters, Thérèse and Josephine, who are beaming in their welcome.
They usher us into a second room, where the children scream at the
sight of a table laid for dinner, and the four corners of which bear
bowls of whipped cream and custard, and rosy Ardennes apples, and
biscuits just out of the oven. The little people want to begin at
once, and cannot be brought to see the necessity of washing their
faces and hands first or waiting till the meat and potatoes shall be
placed upon the table. Would Madame like to see the _chambres à
coucher_ at once? Madame saying yes, Thérèse catches up the youngest
child but one, and, preceded by Josephine, we enter first a scullery,
next a bricked passage, thence mount a most perilous set of dark
narrow stairs, and stumble into a long whitewashed corridor, which
terminates in a glass-door opening on to a garden. Here three doors
successively thrown open introduce us to our bedrooms; and the trunks
having been brought up the breakneck stairs, we take possession at
once. The little white-curtained beds are small, but beautifully
clean, and each one is surmounted by its eider-down quilt in a
coloured cotton case. Two little islands of carpet in a sea of painted
boards represent the coverings of the floors; and the washing-stands
are only deal-tables, and there are no chests of drawers; but we
inhale the fresh, vigorous breeze which is pouring through the windows
(open even at that season), and think of fever-infected Brussels, and
are content. But though it is all very nice and clean, we cannot
possibly wash without water, nor dry our hands without towels.
Public-domain text, read in full here on John Shaqi.
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