The ghost of Charlotte Cray, and other storiesMarryat, Florence
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The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
But the wife’s indignant protests do not reach the ears of Cissy
Lawless, who retires to her own apartments and does not leave them
until she gets into the transit again and is rattled back to
Mudlianah. When she is fairly off there is no denying that Ethel feels
very lonely and very miserable. She is not so brave as she pretends to
be, and she is conscious that she has betrayed her jealous feelings in
a most unladylike manner, which will make Charlie very angry with her
when he comes to hear of it. So what between her rage and her despair,
she passes the afternoon and evening in a very hysterical condition of
weeping and moaning, and the excitement and fatigue, added to terror
at the stories she has heard, bring on the very calamity against which
Mrs. Lawless warned her. In the middle of the night she is compelled
by illness to summon her Dye to her assistance, and two frightened
women do their best to alarm each other still more, until with the
morning’s light a poor little baby is born into the world, who had no
business, strictly speaking, to have entered it till two months later,
and the preparations for whose advent are all down at Mudlianah. Poor
Ethel has only strength after the event to write a few faint lines in
pencil to Colonel Dunstan, telling him she is dying, and begging him
to come to her at once, and then to lie down in a state of utter
despair, which would assail most women under the circumstances. She
has not sufficient energy even to reprove the Dye, who laments over
the poor baby as if it were a doomed creature, and keeps starting
nervously, as night draws on again, at every shadow, as though she
expected to see the old gentleman at her elbow.
She wears out Ethel’s patience at last, for the young mother is
depressed and feeble and longs for sleep. So she orders the nurse to
lay her little infant on her arm, and to go into the next room as
usual and lie down beside Katie’s cot; and after some expostulation,
and many shakings of her head, the Dye complies with her mistress’s
request. For some time after she is left alone, Ethel lies awake, too
exhausted even to sleep, and as she does so, her mind is filled with
the stories she has heard, and she clasps her little fragile infant
closer to her bosom as she recalls the history of the poor murdered
mother, whose child was barbarously slaughtered before her eyes. But
she has too much faith in the teaching of her childhood quite to
credit such a marvellous story, and she composes herself by prayer and
holy thoughts until she sinks into a calm and dreamless slumber. When
she wakes some hours after, it is not suddenly, but as though some one
were pulling her back to consciousness. Slowly she realises her
situation, and feels that somebody, the Dye she supposes, is trying to
take the baby from her arms without disturbing her.
“Don’t take him from me, Dye,” she murmurs, sleepily; “he is so
good--he has not moved all night.”
Public-domain text, read in full here on John Shaqi.
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