The ghost of Charlotte Cray, and other storiesMarryat, Florence
Science
The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
But the gentle pressure still continues, and then Ethel opens her eyes
and sees not the Dye but a woman, tall and finely formed, and fair as
the day, with golden hair floating over her shoulders, and a wild, mad
look in her large blue eyes, who is quietly but forcibly taking the
baby from her. Already she has one bare arm under the child, and the
other over him--and her figure is bent forward, so that her beautiful
face is almost on a level with that of Mrs. Dunstan’s.
“Who are you? What are you doing?” exclaims Ethel in a voice of
breathless alarm, although she does not at once comprehend why she
should experience it. The woman makes no answer, but with her eyes
fixed on the child with a sort of wild triumph draws it steadily
towards her.
“Leave my baby alone! How dare you touch him?” cries Ethel, and then
she calls aloud, “Dye! Dye! come to me!”
But at the sound of her voice the woman draws the child hastily away,
and Ethel sees it reposing on her arm, whilst she slowly folds her
white robes about the little form, and hides it from view.
“Dye, Dye,” again screams the mother, and as the nurse rushes to her
assistance the spirit woman slowly fades away, with a smile of success
upon her lips.
“Bring a light. Quick,” cries Ethel. “The woman has been here; she has
stolen my baby. Oh, Dye, make haste; help me to get out of bed. I will
get it back again if I die in the attempt.”
The Dye runs for a lamp, and brings it to the bedside as Mrs. Dunstan
is attempting to leave it.
“Missus dreaming!” she exclaims quickly, as the light falls on the
pillow. “The baby is there--safe asleep. Missus get into bed again,
and cover up well, or she will catch cold!”
“Ah! my baby,” cries Ethel, hysterically, as she seizes the tiny
creature in her arms, “is he really there? Thank God! It was only a
dream. But, Dye, what is the matter with him, and why is he so stiff
and cold? He cannot--he cannot be--dead!”
Yes, it was true! It was not a dream after all. The white woman has
carried the soul of the white child away with her, and left nothing
but the senseless little body behind. As Ethel realises the extent of
her misfortune, and the means by which it has been perpetrated, she
sinks back upon her pillow in a state of utter unconsciousness.
* * * * * *
When she once more becomes aware of all that is passing around her,
she finds her husband by her bedside, and Cissy Lawless acting the
part of the most devoted of nurses.
Public-domain text, read in full here on John Shaqi.
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