could not remove his eyes from the uncanny scene before him. Then a wild desire to be rid of the place forever seized him, and he stepped backward. At the same minute he observed for the first time what looked like some faded letters painted upon the wall directly beneath the four mysterious portraits. Examining these with his candle, he saw that they formed the words: “_The last of the Guirs_.” “No wonder Dorothy said that she was afraid of them,” Paul reflected; “their portraits alone would drive me mad.” He took another long searching look; and as his eyes grew accustomed to the faded coloring, he observed how cleverly the work had been done. Evidently the pictures had been painted from life, though under what circumstances Henley could never imagine. The faces were all those of a feminine type; they were of young women, apparently but little more than girls, and each with this life-like, though dreadful expression. As Paul stood marveling and wondering, a new interest seized him. At first he could not quite understand what it was, but it became stronger and better defined, he knew, for he recognized one of the faces. Yes, there could be no mistake about it; the picture on the left was a _portrait of Dorothy herself_. Henley rubbed his eyes, and looked again and again; he could not believe their evidence, but they had not deceived him. He tried to make himself believe that it was the likeness of some ancestor, to whom she had a strange resemblance; but, despite the look of pain, it could be no other than Dorothy, and indeed this very expression helped to heighten the likeness, for had he not seen a similar expression at the breakfast table? The longer he gazed at it, the more convinced he became that this was a portrait of Miss Guir. At last, thoroughly mystified, he turned away, intending to leave this grewsome chamber of horrors forever; but now for the first time the heap of rubbish in the center of the floor engaged his attention. Taking his hinge, he stirred up the mass; some shreds of cloth, which fell to pieces on being touched, and beneath them some human bones. This was all, but it was enough; and overwhelmed with horror, Henley rushed out of the room, bounding through the aperture he had made in the wall, and up the rickety stairs into his own bed chamber. He carefully closed the scuttle, heaped some firewood upon it, shut the closet door and fastened it securely from without. He then built up a roaring fire, lit another candle, and sat meditating over what he had seen until the dawn of day. When the light of the sun came streaming into his room, he undressed and went to bed.