The Gilded Man: A Romance of the AndesSmyth, Clifford
Science
The Gilded Man: A Romance of the Andes
Smyth, Clifford
Andes Region -- Fiction; El Dorado -- Fiction; Science fiction
The peon of Colombia is an interesting possibility. He is more Indian
than Spanish, but he has developed certain novelties of feature that
belong to neither of these parent races. He has something of the
savagery of the one, and the romance of the other; yet he is quite
unlike Spaniard or Indian, and when these have disappeared from the
mountain republic the peon will take their place. To-day he lacks the
energy needed for self-assertion. There have been occasions, however,
when this peasant of the Andes has taken the lead in a popular uprising
and, although he has usually failed to win what he was after, his
reserve of power promises well for the future of his race.
It was the politically awakened peon who was in evidence on a certain
morning in Bogota, not so very long ago, at the upper end of the Calle
de Las Montanas. The sign of his awakening was to be seen in an unusual
commotion among the good-natured "paisanos" of the street, from which
an onlooker might reach the astonishing conclusion that some sort of
"demonstration" was under way. Revolutionary or otherwise, there are
people, it would seem, who engage in these affairs simply through a
desire for sociability. Their warlike declarations are really not
unamiable. An Andean revolution, indeed, may not be more terrifying
than a "fiesta," and is never so noisy. In either case, these people
make common cause of their joys or their grievances; and it was
unquestionably a sudden burst of neighborliness that brought the
inhabitants of the Calle de Las Montanas together on this particular
morning.
An army of bootblacks was assembled in the middle of the street. Bogota,
ancient seat of the Muyscas, City of the Mountains, is, for some unknown
reason, rich in bootblacks. Hence, it was not surprising to find a
hundred or more knights of the brush and bottle mustered here. They
were of varying age and size, clad in nondescript rags, over which
protectingly flapped the ruana, or poncho, a garment inherited from the
Indians, and now universally worn in Spanish America. War's ordinary
weapons were lacking in this tattered regiment. Instead of sword and
musket each youngster carried in front of him, hanging from his neck,
a rude box containing the bottles and brushes needed in his calling.
Ordinarily these weapons are harmless enough; but these volunteer
soldiers felt that they were adequately armed for whatever adventure
might be in the wind. Patriotism--and a ruana--can start any revolution.
In expert hands, the vicious twirl of a ruana should bring terror to the
most stalwart of foes--and of patriotism there was a generous supply
this morning in the Calle de Las Montanas.
Pedro Cavallo, a wiry youth, taller than his fellows, gifted with shrill
eloquence, acrobatic gestures, and hence acclaimed the King of the
Bootblacks, was the leading spirit of the throng surrounding him.
Public-domain text, read in full here on John Shaqi.
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