The Gilded Man: A Romance of the AndesSmyth, Clifford
Science
The Gilded Man: A Romance of the Andes
Smyth, Clifford
Andes Region -- Fiction; El Dorado -- Fiction; Science fiction
"There you are, foolish Felicita, always scared at something! Danger?
What danger? Only a greeting from those who are as fond of me as thou
art. Now, to thy work. I must speak with this troublesome Yankee. Many a
day it is since I have seen him here. And then--Felicita, I am dying of
hunger."
Shaking her head at her mistress's lack of caution, the old nurse
hobbled down the gloomy corridor and into the sunny patio, fragrant with
jasmine and sweet rose, where two Indian girls, seated upon the flags
surrounding the opening of a central cistern, were crushing corn in the
primitive stone hand mills of their race.
Resuming something of her stateliness of mien, the youthful "Reina de
los Indios" turned to the right along a passage-way leading off from
the main corridor into the sala, or principal living room of the house.
This was more scantily furnished than such apartments usually are in
Bogota. All that it had was of the plainest--half a dozen cheap rocking
chairs, a straight-backed cane settee, a tall pier-glass, ornamented at
the top and sides with meaningless gilt stucco work, and a dark walnut
cabinet, carved in elaborate hunting design, with massive spiral pillars
supporting the heavily panelled sides and front--the only object in the
room giving evidence either of taste or wealth. Even the tiled floors
were bare, save for a few well worn petates (Indian mats) which failed
to supply that feeling of comfort provided in this chilly climate by the
thick woollen rugs and carpets generally in use.
Awaiting her entrance stood the Yankee whom she had rescued from the
emboladores. Confronted by his ragged assailants he had shown an
admirable coolness; in the presence of this young girl his manner lacked
that air of confidence he had so readily assumed in the face of danger.
He was ill at ease; his glance shifted from one object to another in
the room, his sombrero was tightly clenched in his hand, he avoided the
steady gaze of his rescuer. Yet there was in his attitude toward her
an indefinable homage, due, perhaps, to the queenly rank that others
accorded her, or else to the rare feminine loveliness, the subtle power
of which few could escape.
"Senorita, you have done me a great service," he said. "I was on my way
to see you when I had that brush with the peons. That is my excuse for
taking refuge in your house and exposing you to danger. Will you forgive
me? Will you----"
"Ah, my good Don Raoul!" she interrupted. "What questions! And from you!
Of course, if I was of service to you just now, I am glad."
"It is good to hear you say that, Senorita," he replied with evident
relief. "I was afraid things might be different between us. You see, you
disappeared so completely. You have not been in Bogota for months, for
years, Senorita. And then, to-day--at last--I heard of your arrival. I
wanted to see you. I have not forgotten you in all this long time, you
may be sure, Sajipona!"
Public-domain text, read in full here on John Shaqi.
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