The Gilded Man: A Romance of the Andes — John Shaqi
The Gilded Man: A Romance of the AndesSmyth, Clifford
Science
The Gilded Man: A Romance of the Andes
Smyth, Clifford
Andes Region -- Fiction; El Dorado -- Fiction; Science fiction
Into its silent depths, fascinated by the desolation surrounding him,
Raoul gazed intently. He would revive the old ceremony. He would bring
an offering to this hidden God--an offering bearing a menace, a demand
for the treasure that he felt already in his grasp. He seized a stone
from the many that were strewn at his feet. It was smooth, worn by the
streams through which it had chafed its way hither; he paused as he
weighed it thoughtfully in his outstretched hand. Then he threw it high
in air, over the center of the pool. The sound of the falling missile
plunging through the waters echoed sullenly along the towering walls of
granite. The weird effect delighted him, and again and again he cast
stones into the water, dislodging some of the more unwieldy rocks from
their resting-places and watching them bound and ricochet, with a
thunderous noise, down the precipice after the others.
In the midst of this fantastic play he was arrested by the cry of a
human voice. High, clear and sibilant it came; a word of command, as it
seemed, out of the empty space above:
"Silence!"
He thought it might be the rustle of the wind that had just sprung up
and was stirring the gnarled branches of the trees fringing the brow
of the hill upon whose precipitous slope he was standing. Carefully he
scanned the rocky pinnacles rising on either side of him. If it was not
the wind, the invisible being whose voice he had heard might be hidden
in one of the many clefts that furrowed the face of the hill behind him.
Again he heard the command. Silvery, unmistakably human; the peremptory
voice came from some one near at hand, a few hundred yards, it might be,
from where he stood:
"Silence!"
The tall, slim figure of a woman, clad in flowing white robe, with
dazzling arm stretched downward, flashed in sharp outline against the
dark hillside. She stood just above him, on a projecting shelf of rock.
Her eyes, calm and stern, were not turned toward Raoul, but fixed
intently on the lake, as if beholding--or expecting to behold--something
there that was hidden from all others.
Involuntarily Raoul bent his head to this singular apparition, scarcely
knowing whether it was a creature of his imagination, conjured out of
the strange fancies awakened by the lonely scene, or a real woman,
statuesque, beautiful.
Why was she here? Whence had she come? How address her? Vague questions
crowded upon him, giving place finally to the conviction that he was
an intruder and had unwittingly offended one whose rights here were
supreme. And then he yielded to a feeling of shame at being caught in
senseless boy's play.
"Pardon, Senorita," he murmured lamely.
"Ah," she sighed, a trace of irony in her voice; "it is I, a stranger
here, who must ask pardon for daring to interrupt you."
"Again--pardon," he said, moved by the seriousness, the bitterness in
her tone. "Surely, you are not a stranger to Guatavita, to Bogota?" he
added, not concealing his astonishment.
Public-domain text, read in full here on John Shaqi.
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