The Girl at the Halfway House: A Story of the PlainsHough, Emerson
General
The Girl at the Halfway House: A Story of the Plains
Hough, Emerson
Great Plains -- Fiction; Historical fiction, American
"Nope, not that any one knows of. He just done went off over the
range, an' fanned out, seems like, without no special reason."
The sheriff again fell into thought, slowly chewing at a splinter.
"I'll tell you," he said at length, slowly, "I kain't very well git
away right now. You go over an' git Cap Franklin. He's a good man.
Pick up somebody else you want to go along with you, an' then you start
out on Cal's trail, near as you can git at it. You better take along
that d----d Greaser o' yourn, that big Juan, fer he kin run trail like
a houn'. You stop at all the outfits you come to, fer say fifty miles.
Don't do nothin' more'n ask, an' then go on. If you come to a outfit
that hain't seen him, an' then another outfit furder on that has seen
him, you remember the one that hain't. If you don't git no track in
fifty mile, swing around to the southeast, an' cut the main drive trail
an' see if you hear of anything that-away. If you don't git no trace
by that, you better come on back in an' tell me, an' then we'll see
what to do about it furder."
"All right, Bill," said Curly, rising and taking a chew of tobacco, in
which the sheriff joined him. "All right. You got any papers fer us
to take along?"
"Papers?" said the sheriff contemptuously. "Papers? Hell!"
CHAPTER XXVI
IKE ANDERSON
Ike Anderson was drunk--calmly, magnificently, satisfactorily drunk.
It had taken time, but it was a fact accomplished. The actual state of
affairs was best known to Ike Anderson himself, and not obvious to the
passer-by. Ike Andersen's gaze might have been hard, but it was
direct. His walk was perfectly decorous and straight, his brain
perfectly clear, his hand perfectly steady. Only, somewhere deep down
in his mind there burned some little, still, blue flame of
devilishness, which left Ike Anderson not a human being, but a skilful,
logical, and murderous animal.
"This," said Ike Anderson to himself all the time, "this is little Ike
Anderson, a little boy, playing. I can see the green fields, the
pleasant meadows, the little brook that crossed them. I remember my
mother gave me bread and milk for my supper, always. My sister washed
my bare feet, when I was a little, little boy." He paused and leaned
one hand against a porch post, thinking. "A little, little boy," he
repeated to himself.
"No, it isn't," he thought. "It's Ike Anderson, growing up. He's
playing tag. The boy tripped him and laughed at him, and Ike Anderson
got out his knife." He cast a red eye about him.
"No, it isn't," he thought. "It's Ike Anderson, with the people
chasing him. And the shotgun. Ike's growing up faster, growing right
along. They all want him, but they don't get him. One, two, three,
five, nine, eight, seven--I could count them all once. Ike Anderson.
No mother. No sweetheart. No home. Moving, moving. But they never
scared him yet--Ike Anderson. . . . I never took any cattle!"
Public-domain text, read in full here on John Shaqi.
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