The Girl at the Halfway House: A Story of the PlainsHough, Emerson
General
The Girl at the Halfway House: A Story of the Plains
Hough, Emerson
Great Plains -- Fiction; Historical fiction, American
many women, it appearing to them, perhaps, that in a womanless country
life is not worth the living. A few "hay ranches," a few fields even
of "sod corn," now began to show here and there, index of a time to
come, but for the most part this was yet a land of one sex and one
occupation. The cattle trade monopolized the scene. The heaps of
buffalo bones were now neglected. The long-horned cattle of the white
men were coming in to take the place of the curved-horned cattle of the
Indians. The curtain of the cattle drama of the West was now rung up
full.
The sheriff finished the cleaning of his six-shooter and tossed the
oiled rag into the drawer of the table where he kept the warrants. He
slipped the heavy weapon into the scabbard at his right leg and saw
that the string held the scabbard firmly to his trouser-leg, so that he
might draw the gun smoothly and without hindrance from its sheath. He
knew that the new bad man wore two guns, each adjusted in a similar
manner; but it was always Bill Watson's contention (while he was alive)
that a man with one gun was as good as a man with two. Sheriff Watson
made no claim to being a two-handed shot. He was a simple,
unpretentious man; not a heroic figure as he stood, his weight resting
on the sides of his feet, looking out of the window down the long and
wind-swept street of Ellisville.
Gradually the gaze of the sheriff focused, becoming occupied with the
figure of a horseman whose steady riding seemed to have a purpose other
than that of merely showing his joy in living and riding. This rider
passed other riders without pausing. He came up the street at a gallop
until opposite the office door, where he jerked up his horse sharply
and sprang from the saddle. As he came into the room he pulled off his
hat and mopped his face as far as he could reach with the corner of his
neckerchief.
"Mornin', Bill," he said.
"Mornin', Curly," said the sheriff pleasantly. "Lookin' for a doctor?
You're ridin' perty fast."
"Nope," said Curly. "Reckon it's a shade too late fer a doctor."
The sheriff was gravely silent. After a while he said, quietly:"
"Any trouble?"
"Yep. Plenty."
"Who?"
"Why, it's Cal Greathouse. You know Cal. This is his second drive.
His cows is down on the Rattlesnake bottoms now. He was camped there
two weeks, not fur from my place. Last week he goes off west a ways,
a-lookin' fer some winter range that won't be so crowded. He goes
alone. Now, to-day his horse comes back, draggin' his lariat. We
'lowed we better come tell you. O' course, they ain't no horse gettin'
away f'm Cal Greathouse, not if he's alive."
The sheriff was silent for some time, looking at his visitor straight
with his oxlike eyes. "Did Cal have much money with him?" he asked,
finally.
"Not so awful much, near's the boys can tell. Mebbe a few hundred, fer
spendin' money, like."
"Had he had any furse with ary feller down in there lately?"
Public-domain text, read in full here on John Shaqi.
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