The two were alone in the big dark room. At their side the small table, from which they had taken their tea together, stood with its empty cups and its silver. Without, the day was cold and windy, and the sunset threw along the panes a red reflection. The light fell on the Duchess of Breakwater, something like a veil—a crimson veil slipped over her face and breast. She leaned toward Dan, and between them there was no more barrier than the western light. He felt his pulses beat and a tide rising within him. She was a delicious emanation, fragrant and near, and as he might have gathered a cluster of flowers, so in the next second he would have taken her in his arms, but from the other room just then Lady Galorey, at the piano, played a snatch from _Mandalay_, striking at once into the tune. The sound came suddenly, told them quickly some one was near, and the Duchess of Breakwater involuntarily moved back, and so knocked the small tray, jostled it, and it fell clattering to the floor. CHAPTER III—THE BLAIRTOWN SOLOIST Blairtown had a population of some eight thousand. There was a Presbyterian church to which Dan and his father went regularly, sitting in the bare pew when the winter’s storms beat and rattled on the panes, or in the summer sunshine, when the flies thronged the window casings, when the smell of the pews and the panama fans and the hymn-books came strong to them through the heat. One day there was a missionary sermon, and for the first time in its history a girl sang a solo in the First Presbyterian Church. Dan Blair heard it, looked up, and it made a mark in his life. A girl in a white dress trimmed with blue gentians, white cotton gloves, and golden hair, was the soloist. He knew her, that is, he had a nodding acquaintance with her. It was the girl at the drug store who sold soda-water, and he had asked her some hundreds of times for a “vanilla or a chocolate,” but it wasn’t this vulgar memory that made the little boy listen. It was the girl’s voice. Standing back of the yellow-painted rail, above the minister’s pulpit, above the flies, the red pews and the panama fans, she sang, and she sang into Dan Blair’s soul. To speak more truly, she _made him a soul_ in that moment. She awakened the boy; his collar felt tight, his cheeks grew hot. He felt his new boots, too, hard and heavy. She made him want to cry. These were the physical sensations—the material part of the awakening. The rest went on deeply inside of Dan. She broke his heart; then she healed it. She made him want to cry like a girl; then she wiped his tears. The little boy settled back and grew more comfortable and listened, and what she sang was, “From Greenland’s icy mountains, From India’s coral stra—ands.”