Actresses -- Fiction; Americans -- England -- Fiction; Love stories; Mate selection -- Fiction
“I’m not going, though, Miss Lane,” he said frankly. “I’ve got an
appointment with you and I’m going to stay.”
As he did so the other people in the room took form for him: a blind
beggar with a stick in his hand, and by his side a small child wrapped
in a shawl. With relief Dan saw that Poniotowsky was absent from the
party.
Cohen opened the box, took its contents out and held up the jewels.
“This,” he said, indicating a string of pearls, “is all right, Miss
Lane, and the ear-drops. The rest is no good. I’ll take or leave them,
as you like.”
She was plainly annoyed and excited, and, as Higgins tried to lace her,
moved from her dressing-table to the sofa in a state of agitation.
“Take them or leave them, as _you_ like,” she said, “but give me the
money and go.”
The Jew took from his wallet a roll of banknotes and counted them.
“Six,” he began, but she waved him back.
“Don’t tell me how much it is. I don’t want to know.”
“Let the other lady count it,” the Jew said. “I don’t do business that
way.”
Dan, who had laid down his overcoat and hat on a chair, came quietly
forward, his hands in his pockets, and standing in front of the Jew, he
said again:
“Now you look here—”
Letty Lane threw the money down on the dressing-table. “Please,” she
cried to Dan, “let me have the pleasure of sending this man out of my
room. You can go, Cohen, and go in a hurry, too.”
The Jew stuffed the pearls in his pocket and went by Dan hurriedly, as
though he feared the young man intended to help him. But Dan stopped
him:
“Before this deal goes through I want you to tell me why you are—”
Miss Lane broke in: “My gracious Heavens! Can’t I even sell my jewels
without being bossed? What business is it of yours, Mr. Blair? Let this
man go, and go all of you—all of you. Higgins, send them out.”
The blind man and the child stirred, too, at this outburst. The little
girl wore a miserable hat, a wreck of a hat, in which shook a feather
like a broken mast. The rest of her garments seemed made of the
elements—of dirt and mud—mere flags of distress, and the odor of the
poor filled the room: over the perfume and scent and smell of stage
properties, this miserable smell held its own.
“Come, Daddy,” whispered the child timidly, “come along.”
“Oh, no, not you, not you,” Letty Lane said.
Job Cohen crawled out with ten thousand pounds’ worth of pearls in his
pockets, and as soon as the door had closed the actress took up the roll
of notes.
“Come here,” she said to the child. “Now you can take your father to the
home I told you of. It is nice and comfortable—they will treat his eyes
there.”
“Miss Lane—Miss Lane!” called the page boy.
“Never mind that,” said the actress, “it is a long wait this act. I
don’t go on yet.”
Higgins went to the door and opened it and stood a moment, then
disappeared into the side scenes.
Public-domain text, read in full here on John Shaqi.
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