Actresses -- Fiction; Americans -- England -- Fiction; Love stories; Mate selection -- Fiction
With a low exclamation he caught her hand at the wrist so hard that she
cried out, and he said between his teeth: “You _don’t_ love him! Take
those words back!”
“Of course I do. Let me free!”
“No,” he said passionately, holding her fast. “Not until you take that
back.”
His face, his tone, his force, dominated her; the remembrance of their
past, a possible future, made her waver under his eyes, and the woman
smiled at him as Blair had never seen her smile.
“Very well, then, goose,” she capitulated almost tenderly; “I don’t love
that boy, of course. I’m marrying him for his money. Now, will you let
me go?”
But he held her still more firmly and kissed her several times before he
finally set her free, and went out of the house miserable—bound to her
by the strongest chains—bound in his conscience and by honor to his
trust to Dan’s father, and yet handicapped by another sense of honor
which decrees that man must keep silence to the end.
CHAPTER XVII—LETTY LANE SINGS
The house of the Duchess of Breakwater in Park Lane was white, with
green blinds and green balconies; beautiful, distinguished and old,
mellow with traditions, and the tide of fashion poured its stream into
the music-room to listen to the Sunday concert. Without, the day was
bland and beautiful, mild spring in the deep sweet air, and already the
bloom lay over the park and along the turf. Piccadilly was ablaze with
flowers, and in the windows and in the flower-women’s baskets they were
so sweet as to make the heart ache and to make the senses thrill. Keen
to the spring beauty, the last guest to go into the drawing-room of the
Duchess of Breakwater was the young American man in whom the magic of
the season had stirred the blood. He seemed the youngest and the
brightest guest to cross the sill of the great house whose debts he was
going to pay, and whose future he was going to secure with American
money.
Close after him a motor car rolled up to the curb, and under the awning
Letty Lane passed quickly, as though thistledown, blown into the
distinguished house. The actress was taken possession of by several
people and shown up-stairs.
Dan spoke to his hostess, who wore, over her azure dress, a necklace
given her by Dan. She said he was “too late for words,” and why hadn’t
he come before. After greeting him she set him free, and he went eagerly
to find his place next an elderly woman whom he liked immensely, Lady
Caiwarn. She had given him twenty pounds for some of his poor. Lady
Caiwarn had a calm, kind face, and Dan sat down beside her, well out of
the crush, and they talked amiably throughout the violin solo.
“Think of it,” she said, “Letty Lane of the Gaiety is going to sing. I’d
sit through a great deal for that. Let that man with the fiddle do his
worst.”
Public-domain text, read in full here on John Shaqi.
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