Actresses -- Fiction; Americans -- England -- Fiction; Love stories; Mate selection -- Fiction
Blair laughed appreciatively. He thought Lady Caiwarn would be a good
friend for Miss Lane, better than the duchess herself. “I wish Lily
could hear you talk about her violinist,” he said, delighted; “she
thinks he’s the whole show.” And tentatively, his ingenuous eyes fixed
on his friend, he asked: “I wonder how you would like to meet Miss Lane.
She’s perfectly ripping, and she’s from my State.”
“_Meet her!_” Lady Caiwarn exclaimed, but before she could finish,
through the room ran the little anticipatory rustle that comes before
the great, and which, when they have gone, breaks into applause. The
great actress had appeared to give her number. Dan and Lady Caiwarn,
behind the palms in a little corner of their own, watched her.
A clever understanding of the world into which she was to come this day,
had made the girl dress like a charm. She stood quietly by the piano,
her hands folded. Among the high ladies of the English world in their
splendid frocks, their jewels and feathers, she was a simple figure, her
dress snow white, high to her throat, unadorned by any gay color,
according to the fashion of the time. It was such a dress as Romney
might have painted, and under her arms and from across her breast there
fell a soft coral-colored silken scarf. The costume was daring in its
simplicity. She might have been Emma, Lady Hamilton, because perfectly
beautiful, perfectly talented, she could risk severe simplicity, having
in herself the fire and the art and the seduction. Her hair was a golden
crown and her eyes like stars. She was excited, and the scarlet had run
along her cheeks like wine spilled over ivory.
She looked around the room, failed to see Blair, but saw the Duchess of
Breakwater in her velvet and her jewels. Letty Lane began to sing. Dan
and she had chosen _Mandalay_ and she began with it. Her dress only was
simple. All the complexity of her talent, whatever she knew of seduction
and charm, she put in the rendering of her song. Even the conventional
audience, most of which knew her well, were enchanted over again, and
they went wild about her. She had never been so charming. The men
clapped her until she began in self-defense another favorite of the
moment, and ended in a perfect huzzah of applause.
She refused to sing again until, in the distance, she saw Dan standing
by the column near his seat. Then indicating to the pianist what she
wanted, she sang _The Earl of Moray_, such a rendering of the old ballad
as had not been heard in London, and coming, as it did, from the lips of
a popular singer whose character and whose verve were not supposed to be
sympathetic to a piece of music of this kind, the effect was startling.
Letty Lane’s face grew pale with the touching old tragedy, the scarlet
faded from her cheeks, her eyes grew dark and moist, she might indeed
herself have been the lady looking from the castle wall while they
carried the body of her dead lover under those beautiful eyes.
Public-domain text, read in full here on John Shaqi.
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