Detective and mystery stories; Police -- Great Britain -- Fiction; Women detectives -- Fiction
THE
GIRL FROM
SCOTLAND YARD
EDGAR WALLACE
DOUBLEDAY, DORAN & COMPANY, INC.
GARDEN CITY--NEW YORK--1928
[COPYRIGHT]
COPYRIGHT, 1926, 1927, BY EDGAR
WALLACE. ALL RIGHTS RESERVED.
CONTENTS
I. At Tea
II. The Girl Detective
III. Meeting Peter
IV. Peter’s Lodgings
V. A Dead Man
VI. The Effect on Lady Raytham
VII. Leslie’s Interview
VIII. A Surprise for Leslie
IX. Druze’s Handicap
X. A Doctor’s Confession
XI. The Document
XII. Peter’s Mother
XIII. Peter Tells
XIV. An Arrest
XV. Trapped
XVI. An Old Record
XVII. The Telltale Perfume
XVIII. Anita’s Fright
XIX. Captured
XX. A Silk Shawl
XXI. Anita’s Cards
XXII. A Real Father
XXIII. And a Mother
XXIV. These Women
THE GIRL FROM
SCOTLAND YARD
CHAPTER I.
AT TEA
As Lady Raytham drew aside the long velvet curtains, she looked down
into Berkeley Square. It was half-past four o’clock on a cheerless
February evening. Rain and sleet were falling and a thin yellow mist
added to the gloom of the dying day. An interminable string of cars
and taxicabs was turning toward Berkeley Street, their shining black
roofs reflecting the glare of the overhead light that had just then
hissed and spluttered to life.
She looked blankly toward the desolation of the gardens, a place of
bare-limbed trees and shivering shrubs--stared, as though she expected
to see some fog wraith take a definite and menacing shape and give
tangible form to the shadows that menaced reason and life.
She was a woman of twenty-eight, straight and slim. Hers was the type
of classical beauty which would defy the markings of age for the
greater part of a lifetime. A fascinating face, calm, austere. Her
eyes were a cold English gray. You might imagine her the patrician
abbess of some great conventual establishment, or a lady of broad
manors defending inexorably the stark castle of her lord against the
enemy who came in his absence. Analyse her face, feature by feature,
put one with the other, and judge her by the standards which profess
to measure such things, and brow and chin said “purpose” with
unmistakable emphasis.
She was not in her purposeful mood now; rather was she uncertain and
irritable, the nearest emotions to fear that she knew.
She let the curtains fall back until they overlapped, and walked
across to the fireplace, glancing at the tiny clock. The salon was
half lit; the wall sconces were dark, but the big lamp on the table
near the settee glowed brightly. This room bore evidence of money
lavishly spent. The greater part of its furnishings would one day
reach the museums of millionaire collectors; three pictures that hung
upon the apple-green walls were earmarked for the National Gallery.
As she stood looking down into the fire, there was a gentle tap at the
door, and the butler came in. He was a tall man, rather portly in his
way; a man with double chin and an unlined face. He carried a small
salver in his hand, a buff oblong in the centre.
Public-domain text, read in full here on John Shaqi.
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