Lagerlöf, Selma, 1858-1940 -- Translations into English; Short stories, Swedish -- Translations into English; Sweden -- Fiction
They came in the form of strange ghost stories about the superintendent
of the foundries, who always had black bulls hitched to his wagon when
he drove home at night from a revel. And in his home the Evil One
himself used to sit in the rocker and rock while the wife sat at the
piano and played. They came as true stories from the neighboring
homestead, where crows had persecuted the mistress until she didn't dare
venture outside the door; from the Captain's house, where they were so
poor that everything had to be borrowed; from the little cottage down by
the church, where there lived a lot of young and old girls who had all
fallen in love with the handsome organ builder.
Sometimes the dear adventures came to the homestead in an even more
tangible form. Aged and poverty-stricken army officers would drive up to
the doorstep behind rickety old horses and in rickety carryalls. They
would stop and visit for weeks, and in the evenings, when the toddy had
put courage into them, they would talk of the time when they had danced
in stockingless shoes, so that their feet would look small, of how they
had curled their hair and dyed their mustaches. One of them told how he
had tried to take a pretty young girl back to her sweetheart and how he
had been hunted by wolves on the way; another had been at the Christmas
feast where an angered guest had flung all the hazel-hens at the wall
because some one had made him believe they were crows; a third had seen
the old gentleman who used to sit at a plain board table and play
Beethoven.
But the story could reveal its presence in still another way. In the
attic hung the portrait of a lady with powdered hair, and when any one
walked past it he was reminded that it was a portrait of the beautiful
daughter of the Count, who had loved her brother's young tutor, and had
called to see him once when she was an old gray-haired lady and he an
old married man. In the lumber room were heaped up bundles of documents
containing deeds of purchase and leases signed by the great lady, who
once ruled over seven foundries which had been willed to her by her
lover. If one entered the church, one saw in a dusty little cabinet
under the pulpit the chest filled with infidel manuscripts, which was
not to be opened until the beginning of the new century. And not very
far from the church is the river, at the bottom of which rests a pile of
sacred images that were not allowed to remain in the pulpit and chancel
they once had ornamented.
Public-domain text, read in full here on John Shaqi.
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