The girl soon became absorbed in her work. She wrote no more, but went in for studies and lectures. It actually looked as though the story would lose her altogether. Then something extraordinary happened. This same autumn, after she had been living a couple of months amidst gray streets and house walls, she was walking one day up Malmskillnad Street with a bundle of books under her arm. She had just come from a lecture on the history of literature. The lecture must have been about Bellman and Runeberg, because she was thinking of them and of the characters that live in their verses. She said to herself that Runeberg's jolly warriors and Bellman's happy-go-lucky roisterers were the very best material a writer could have to work with. And suddenly this thought flashed upon her: Vermland, the world in which you have been living, is not less remarkable than that of Fredman or Fänrik Stål. If you can only learn how to handle it, you will find that your material is quite as good as theirs. This is how it happened that she caught her first glimpse of the story. And the instant she saw it, the ground under her seemed to sway. The whole long Malmskillnad Street from Hamn Street Hill to the fire-house rose toward the skies and sank again--rose and sank. She stood still a long while, until the street had settled itself. She gazed with astonishment at the passers-by, who walked calmly along, apparently oblivious to the miracle that had taken place. At that moment the girl determined that she would write the story of Vermland's Cavaliers, and never for an instant did she relinquish the thought of it; but many and long years elapsed before the determination was carried out. In the first place she had entered upon a new field of labor, and she lacked the time needful for the carrying out of a great literary work. In the second place she had failed utterly in her first attempts to write the story.