His discontent with their home now took shape in vigorous action, and
Aunt Mandy came to share it. Trip after trip to the Riggsville store was
made. Two new chamber sets and rolls of carpeting arrived at the station
six miles away, and came up the valley. A paper-hanger was engaged and
kept busy for ten days. The death-bed pictures were literally kicked into
the cow shed, and in three weeks four rooms had been so reconstructed
and fitted anew that no one would recognize them.
Meanwhile Uncle Jud had utterly neglected his "craps," while he worked
around the house. The wide lawn had been clipped close. A new picket
fence, painted white, replaced the leaning, zigzag one around the garden.
Weeds and brush disappeared, and only Aunt Mandy's protest saved the
picturesque brown house from a coat of paint.
And then "Pattycake" arrived.
Nearly a year before she had been brought here, a weary, bedraggled,
dusty, half-starved waif. Now Uncle Jud met her at the station, his face
shining; Aunt Mandy clasped her close to her portly person; and as Chip
looked around and saw what had been done in her honor and to make her
welcome, her eyes filled.
"I never thought anybody would care for me like this," she exclaimed,
and then glancing at Uncle Jud, her eyes alight, she threw her arms about
his neck and, for the first time, kissed him.
And never in all his life had he felt more amply paid for anything he
had done.
Then and there, Chip resolved to do something that now lay in her
power--to face shame and humbled pride and all the sacrifice it meant to
her in the end, and reunite these two long-separated brothers. But not
now, no, not yet.
Before her lay two golden joyous summer months. Aunt Abby was coming up
later. She could not face her own humiliation now. She must wait until
these happy days were past, then tell her wretched story, not sparing
herself one iota, and then, if she must, go her way, an outcast into the
world once more.
Public-domain text, read in full here on John Shaqi.
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