Dramatists -- Fiction; Love stories; Mystery fiction
"She look at me mighty sharp. She got brown eyes dat look right _thoo_
you," he interpolated briskly. "Den she say, 'Sam, who done lef' dat
basket at my do'?' I say, 'I done it, miss. It was lef' in de hall, an'
de ca'd got yo' name on it. Ain't you order it?' I say.
"'No,' she say, 'dis yere basket ain't fo' me. Take it, an' ef you
cain't find out who belong to it, eat dis yere lunch yo'self.'"
He paused. Laurie's stunned silence was a sufficient tribute to his
eloquence, but Sam had not yet reached his climax. He introduced it now,
with fine effect.
"Bimeby," he went on unctuously, "I took dat basket back to her. I say,
'Miss Mayo,' I say, 'I done foun' out 'bout dat basket. 'T was lef' by a
lady artis' here what got a tergram an' went away sudden. She want dat
food et, so she sent it to you.'"
Laurie regarded him with admiration.
"That was pretty good for extemporaneous lying," he commented. "I
suppose you can do even better when you take more time to it. What did
the lady say?"
Sam shook a mournful head.
"She jes' look at me, an' she kinda smile, an' den she say, 'Sam, dis
yere basket 'noys me. Ef de lady wants it et, Sam, you eat it yo'self."
He paused. "I et it," he ended, solemnly.
Laurie's lips twitched under conflicting emotions, but he closed the
interview with a fair imitation of indifference.
"Oh, well," he said carelessly, "you must have been mistaken about the
whole thing. Evidently Miss Mayo, if that's her name, wasn't as hungry
as you were."
The boy nodded and started the car on its downward journey. As his
passenger got off on the ground floor, he gave him a new thought to
carry away with him.
"She'd bin cryin', dough," he muttered. "Her eyes was all red."
Laurie stopped and regarded him resentfully.
"Confound you!" he said, "What did you tell me that for? _I_ can't do
anything about it!"
The boy agreed, hurriedly. "No, sah," he assured him. "You cain't. I
cain't, neither. None of us cain't," he added as an afterthought.
Laurie slowly walked away. His thoughts scampered around and around,
like squirrels in a cage. The return of the basket, of course, might
mean either of two conditions--that the girl was too proud to accept
help, or that she was really in no need of it. Laurie had met a few art
students. He knew that, hungry or not, almost any one of them would
cheerfully have taken in that basket and consumed its contents. He had
built on that knowledge in providing it. If the girl _had_ taken it in,
the fact would have proved nothing. Her refusal to touch it was
suspicious. It swung the weight of evidence toward the elevator boy's
starvation theory.
Public-domain text, read in full here on John Shaqi.
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